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TMS: Hamilton and Burr do not become aware of the Tertium Quid until Season Two. The Tertium Quid have esoteric roots that stretch back to through the Troubadours to ancient Sufis. Citizen Soul is the secret leader, the QUTUB, of the Tertium Quid. In Season Four, we meet the enemies of the Tertium Quid, a group of anarchists called The Black Hand

Season One: The Return of the King
Season Two: Thomas Jefferson Still Lives
Season Three: The Hidden Republic
Season Four: The Will of Heaven
Season Five: The End of the Beginning
In Season One, the clone of Washington disrupts the plan of The Club to transfer the Divine Favor from Washington to Bush. In Season Two, The Cult tries to import the dormant consciousness of Jefferson into the neural network of the MUNDUS AI. Hamilton and Burr are drawn into the conflict between the two secret societies vying for social control. Hamilton joins the Tertium Quid, while Burr allies herself with The Cult. In Season Three, The Club and The Cult join forces to rebuild MUNDUS. Burr becomes the leader of the new alliance. In Season Four, The Tertium Quid faces off against their enemies, The Black Hand. In Season Five, the final confrontation takes place, as The Club, The Cult, The Tertium Quid, and The Black Hand fight for the future of America.

TMS: List the summaries of each season as separate paragraphs.

Season One: “The Return of the King”
The season opens with a shocking event: the clone of George Washington assaults President George W. Bush in the National Archive. The clone is subdued by secret service agents and taken into custody, but not before Hamilton and Burr, two childhood friends, witness the scene and capture it on video. As they struggle to make sense of what they’ve seen, they are drawn into the hidden world of two secret societies: The Club and The Cult. These societies, descended from the Federalists and Democratic Republicans, respectively, have been locked in a secret war for control of American society for over two hundred years. As Hamilton and Burr are pulled deeper into this conflict, they must navigate their own complicated relationship and decide which side they will ultimately support.
Season Two: “Thomas Jefferson Still Lives”
In this season, we learn that Thomas Jefferson is not dead, but rather has been kept in a state of suspended animation in a geometrically perfect chamber under Monticello. His brain is still alive, dreaming. The Cult, which controls the music industry, wants to import Jefferson’s consciousness into the neural network of the MUNDUS AI, an advanced system developed by The Club. Hamilton and Burr, now estranged from one another, must decide whether to stop this from happening, or to let the Cult achieve their goal.
Season Three: “The Hidden Republic”
In this season, the tension between The Club and The Cult reaches a boiling point as they join forces to rebuild a new version of MUNDUS. Meanwhile, Burr has become the leader of the new Cult/Club alliance, and is determined to use her power to finally defeat the Tertium Quid, a group of independent singer-songwriters who reject the control of both societies. Hamilton, Citizen Soul, and Maria must fight to protect the Tertium Quid and maintain their independence.
Season Four: “The Will of Heaven”
In this season, the Tertium Quid come into conflict with a group of anarchists known as The Black Hand. The Black Hand, who reject all forms of authority, see the Tertium Quid as just another oppressive power, and seek to destroy them. As the conflict between these two groups intensifies, Hamilton, Citizen Soul, and Maria must struggle to maintain their vision of a society guided by the Will of Heaven, rather than the will of men.
Season Five: “The End of the Beginning”
In the final season, the stakes are higher than ever as The Club, The Cult, The Tertium Quid, and The Black Hand clash in a battle for the future of America. Hamilton and Burr, now united once again, must confront the true nature of their past lives and the role they played in the birth of the nation. As they struggle to come to terms with their own history, they must also decide whether to let go of the past and move forward, or to fight to preserve the legacy of the founding generation.

TMS: In screenplay style, write the scene in the National Archive where the clone attacks Bush:

The scene opens on President Bush and an actor dressed as George Washington standing in front of the Declaration of Independence in the National Archive. The actor, a clone of Washington, is reading the Declaration in a stilted, robotic voice. As he reads, he begins to stumble over the words, clearly struggling with the language.
Suddenly, the actor snaps out of his trance and slaps President Bush across the face. Secret Service agents rush forward to subdue the actor as the press in the room erupts in shock and confusion. Bush, visibly shaken, stammers for an explanation as the clone is taken away.
In the press area, Aaron Burr and Alexander Hamilton watch the scene unfold, horrified and fascinated. Burr pulls out a camera and starts filming, capturing the incident for posterity.
As the chaos subsides, the two men exchange a look and quickly make their way out of the National Archive, knowing that they have just stumbled into a world of secret societies and occult intrigue.

TMS: Write this scene in screen play style, with dialogue

INT. NATIONAL ARCHIVE – DAY
The clone of George Washington stands at the head of the room, staring straight ahead. President George Bush is ushered in by secret service agents and approaches Washington.
BUSH: (nervously) Mr. President, it’s an honor to meet you.
The clone suddenly turns to face Bush and slaps him across the face.
BUSH: (stunned) What the-
The secret service agents quickly move in to restrain the clone.
CLONE: (angrily) You are not fit to lead this nation.
BURR: (off-screen) What the hell is going on?
Hamilton and Burr are seen watching from the press area, recording the scene on their phones.
HAMILTON: (to Burr) We need to get out of here.
The two of them quickly make their way out of the room, narrowly avoiding capture by the secret service agents.
FADE TO BLACK.

TMS: Expand the detail contained in the scene

INT. NATIONAL ARCHIVE – DAY
President George W. Bush and his entourage enter the building. The press corps is waiting in the press area.
BUSH:
Good morning, everyone. We’re here to celebrate the opening of the new Constitution exhibit.
Suddenly, a commotion breaks out at the entrance to the exhibit. Secret Service agents rush to surround the President.
BUSH:
What’s going on?
The agents part to reveal a man who looks exactly like George Washington. He is wearing the same clothes Washington wore in the famous Gilbert Stuart portrait.
WASHINGTON:
Mr. President, I am the original George Washington, brought back to life by the powers of the universe to deliver a message to you.
The press corps erupts in chaos, snapping photos and shouting questions.
BUSH:
What message?
WASHINGTON:
You have failed the American people, and the ideals upon which this nation was founded. You have abused your power and betrayed the trust of the people.
With that, Washington slaps Bush across the face. Secret Service agents quickly subdue Washington and take him away.
BUSH:
(to the press)
I apologize for that unpleasant interruption. Let’s continue with the tour.
The press corps continues to shout questions as the President and his entourage move on. Hamilton and Burr, who had been watching from the press area, exchange a shocked glance. They quickly slip out of the building, unnoticed.

TMS: In screenplay style, write the scene in which Hamilton, Citizen Soul and Maria discover the geometrical room containing Jefferson’s body, and discuss whether or not to kill him by disturbing his perfect repose

INT. MONTICELLO – GEOMETRICAL ROOM
Hamilton, Citizen Soul, and Maria enter the room, awestruck by its perfection.
HAMILTON:
This is it. This is where he’s been all this time.
MARIA:
He’s still alive.
CITIZEN SOUL:
His brain is still functioning, but barely. If we disturb him, he’ll disintegrate.
HAMILTON:
We can’t let the Cult import his consciousness into MUNDUS. He was too selfish in life.
MARIA:
But what do we do? We can’t just leave him here.
CITIZEN SOUL:
We have to decide together. The fate of America is at stake.
The three stand in silence, contemplating their options.

TMS: In screenplay style, write the scene in which Maria introduces Hamilton and Burr to Citizen Soul, with extra detail

INT. THE SWAMP – NIGHT
Hamilton and Burr are sitting at a table, drinking beer and discussing Star Wars vs Star Trek.
MARIA: (interrupting) Excuse me, I couldn’t help but overhear your conversation. I’m a huge fan of both franchises, but I have to side with Star Trek.
HAMILTON: (impressed) Really? You’re a Trekkie?
MARIA: (smiling) Guilty as charged. And you guys are the band that’s been playing here all night, right? You’re amazing.
BURR: (blushing) Thank you, we appreciate that. We’re just trying to make it in the music industry.
MARIA: (nodding) I know how tough it can be. I play at a club downtown. Maybe I could introduce you to the head musician there. He’s a bit of a mentor to me.
HAMILTON: (eagerly) That would be amazing! We could really use some guidance.
MARIA: (standing up) Come on, let’s go. We can grab a drink at the club and talk more about music.
The three of them get up and start to make their way out of THE SWAMP. As they’re about to leave, a group of men in suits enters the club, clearly looking for Hamilton and Burr.
BURR: (nervously) Who are they?
MARIA: (urgently) We need to get out of here. They’re agents of The Club. They’re looking for you.
HAMILTON: (confused) The Club? What are you talking about?
MARIA: (grabbing their hands) We don’t have time to explain right now. Just trust me and come with me.
The three of them quickly make their way out of the club and into a waiting car, narrowly escaping the agents of The Club. As they drive away, Maria turns to Hamilton and Burr.
MARIA: (serious) You guys are in big trouble. You have something that The Club wants, and they won’t stop until they get it.
BURR: (panicked) What are we supposed to do?
MARIA: (determined) We need to get you to Citizen Soul. He’s the head musician at the club where I play, and he’s also the leader of a secret society called The Cult. They’re the only ones who can protect you from The Club.
HAMILTON: (excited) Secret societies, powerful musicians, science fiction conspiracies… this is like a dream come true for us!
MARIA: (smiling) It’s no dream, Hamilton. This is real life, and it’s about to get a lot more complicated. But I have a feeling you two are up for the challenge.
The car speeds off into the night, heading towards the club and their meeting with Citizen Soul.

TMS: Rewrite this scene, but Maria does not refer to her organization as The Cult.

FADE IN:
INT. THE SWAMP – DAY
Hamilton and Burr are on stage performing their final set for the night. The crowd is enthusiastic and the duo seem to be enjoying themselves.
MARIA (offstage): Hey guys! Great show!
Hamilton and Burr turn to see Maria standing near the side of the stage. She is beautiful and radiates a cool confidence.
HAMILTON: Hey, Maria! Thanks for coming out!
MARIA: Of course! I wouldn’t miss it for the world. Listen, I have a friend who is looking for some new talent to work with. Do you guys want to meet him?
BURR: Absolutely!
MARIA: Great! Follow me.
Maria leads Hamilton and Burr backstage, where they are introduced to CITIZEN SOUL, a charismatic and talented musician.
CITIZEN SOUL: Hey guys, nice to meet you. I’ve heard a lot of good things about your music.
HAMILTON: Thanks! We’re really excited to be working with you.
CITIZEN SOUL: Well, let’s get to work then. I have a studio set up in the back. Follow me.
As they walk to the studio, Maria pulls Hamilton and Burr aside.
MARIA: Listen, I have to warn you. Citizen Soul is part of a secret organization that is dedicated to using music as a tool for social change. They’re not to be messed with.
HAMILTON: That sounds interesting.
BURR: But also a little dangerous.
MARIA: Just be careful, okay?
Hamilton and Burr nod in understanding as they continue on to the studio with Citizen Soul.

TMS: Rewrite the preceding scene, including the part where Maria introduces herself as a trekkie, while Hamilton and Burr are discussing Star Wars versus Star Trek. She says “you two sound like a podcast I listen to, called STARS AND STATES” and they answer, “That’s because we make that podcast”. They are then interrupted by the agents from The Club.

INT. THE SWAMP – NIGHT
Hamilton and Burr are in the middle of a heated debate about Star Wars versus Star Trek.
HAMILTON:
Come on, Star Wars is clearly superior. The story is more epic, the characters are more complex, and the special effects are better.
BURR:
But Star Trek has better science and more thought-provoking storylines. Plus, the original series was groundbreaking in its representation of diverse cultures.
MARIA:
(interrupting)
You two sound like a podcast I listen to, called STARS AND STATES.
HAMILTON:
(surprised)
That’s because we make that podcast.
Suddenly, agents from The Club burst into the room, grabbing Hamilton and Burr by the arms.
AGENT 1:
We need you to come with us. You have something we want.
MARIA:
(stepping forward)
Leave them alone! They’re with me.
AGENT 2:
And who are you?
MARIA:
I’m Maria. I’m a musician and a trekkie. And I’m also a member of The Cult.
The agents pause, unsure of how to proceed.
MARIA:
(to Hamilton and Burr)
Come on, I’ll take you to meet Citizen Soul. He’ll explain everything.
Hamilton and Burr exchange a worried look, but decide to follow Maria out of the club and into the unknown.

TMS: Rewrite the preceding scene, but Burr is the Star Wars fan. The agents of The Club never get a hold of Hamilton and Burr. Remember that Burr and Hamilton are in the set break of another poorly attended show.

 

INT. THE SWAMP – DAY
HAMILTON, a young man with dark hair and a wiry frame, and BURR, a trans woman with short blonde hair, are standing on stage, chatting with each other during a set break.
MARIA, a beautiful and irreverent musician, walks up to them, holding a guitar case.
MARIA:
Hey, I loved your set. You guys are great.
HAMILTON:
Thanks, we’re trying to make it in the industry, but it’s tough.
BURR:
Yeah, we’ve been at it for a while now, but it seems like nobody’s interested.
MARIA:
Well, I know someone who might be able to help. He runs a club downtown, and he’s always looking for new talent.
HAMILTON:
That would be amazing. We’d love to talk to him.
MARIA:
Great. Let me give you his number and you can set up a meeting.
As Maria pulls out her phone to give them the number, they hear a commotion from the back of the club. Agents from The Club, a secret society with advanced technology, burst into the room, looking for Hamilton and Burr.
MARIA:
Quick, follow me. I know a way out.
Hamilton and Burr grab their guitars and follow Maria out the back door, narrowly escaping The Club’s agents.
BURR:
What the hell was that all about?
MARIA:
They’re after a video you took at the National Archive, right? Well, I can help you stay safe and get that video out there. I’m part of a group that’s trying to take down The Club.
HAMILTON:
A group? What do you mean?
MARIA:
We’re called The Cult. And we have the power to make or break careers in the music industry. Come on, I’ll introduce you to our leader. He’ll explain everything.
Hamilton and Burr exchange a look, unsure of what to make of this strange turn of events. But they have no other options, and so they follow Maria into the night.

TMS: In screenplay style, write a scene in which Hamilton and Burr meet and talk to the clone, that does not happen at the National Archive

INT. CLUB – NIGHT
Hamilton and Burr enter the club and spot the clone sitting at the bar. They approach him cautiously.
HAMILTON: Excuse me, are you…
CLONE: (turns to them) Yes, I am the clone.
BURR: (surprised) You look exactly like him.
CLONE: (smirks) That’s the point, isn’t it?
HAMILTON: What are you doing here?
CLONE: (shrugs) Just trying to blend in, avoid any trouble.
BURR: (skeptical) And how’s that working out for you?
CLONE: (smirks again) Oh, you know. Ups and downs.
HAMILTON: Why did you attack the President at the National Archive?
CLONE: (sighs) It was a mistake. I didn’t realize what was happening until it was too late.
BURR: (narrows her eyes) And what exactly was happening?
CLONE: (hesitates) It’s…complicated. Let’s just say that certain people want to control the future, and they’ll do whatever it takes to achieve that.
HAMILTON: (alarmed) Like what?
CLONE: (leans in) Let’s just say that the founding fathers never really left us. They’re still around, pulling the strings from behind the scenes.
BURR: (incredulous) You expect us to believe that?
CLONE: (shrugs) Believe what you want. But I’m telling you the truth. And I need your help.
HAMILTON: (intrigued) Our help with what?
CLONE: (looks around nervously) We need to stop them. We need to take back control of our own future. Will you help me?
Hamilton and Burr exchange a look, unsure of what to make of the clone’s story. But they can’t deny the strange pull they feel towards him, and the possibility of uncovering the truth.
HAMILTON: (nods) We’ll help you.
BURR: (nods as well) But we need to be careful. This is bigger than any of us realize.
The clone nods in agreement, and the three of them begin to plot their next move.

TMS: In screenplay style, write a scene in which Hamilton and Burr bring the clone to meet Maria and Citizen Soul, in detail

INT. MARIA’S APARTMENT – DAY
Hamilton and Burr enter the apartment, followed by the clone, who is disheveled and confused.
MARIA:
Who’s this?
HAMILTON:
We found him. He’s the one who slapped Bush at the National Archive.
MARIA:
(stunned)
Wow. You’re a brave man.
CLONE:
I don’t know what you’re talking about. I don’t even know who I am.
MARIA:
It’s okay, we’ll help you. Citizen Soul, come here.
CITIZEN SOUL enters from a back room.
CITIZEN SOUL:
What’s going on?
MARIA:
These guys found the clone.
CITIZEN SOUL:
(impressed)
Impressive.
CLONE:
Please, can someone tell me what’s happening?
HAMILTON:
We’re not sure yet. But we think The Club created you and used you to try and transfer the blessing from Washington to Bush.
CLONE:
The blessing? What are you talking about?
CITIZEN SOUL:
It’s a long story. But the important thing is that you’re safe now. We’ll figure out what to do next.
The clone looks relieved and sits down on the couch. Hamilton and Burr exchange a glance, unsure of what the future holds.

TMS: In screenplay style, write a scene in which Citizen Soul explains the ancient origins of the Tertium Quid to Hamilton and Burr, in detail

INT. CITIZEN SOUL’S APARTMENT – NIGHT
Hamilton and Burr sit on a couch across from Citizen Soul, who sits in a plush armchair. Maria stands near the fireplace, sipping on a drink.
CITIZEN SOUL: The Tertium Quid has roots that stretch back to the Troubadours of the Middle Ages. We are a secret society, dedicated to preserving the true spirit of America.
HAMILTON: What do you mean by “true spirit”?
CITIZEN SOUL: The founding fathers believed in a spirit of freedom and equality that has been lost over time. The Tertium Quid seeks to reignite that spirit and guide America back to its noble origins.
BURR: And how do you plan on doing that?
CITIZEN SOUL: Through the power of art and culture. Music, literature, and film can inspire and shape society in ways that political power cannot.
MARIA: We use our talents and platforms to subvert the dominant narratives and offer alternative visions for the future.
HAMILTON: I’m intrigued. But how does this relate to the clone and the conspiracy we stumbled upon?
CITIZEN SOUL: The clone is a creation of The Club, a secret society that seeks to control the direction of history through technology and manipulation. The Cult, another secret society, uses cultural influence to achieve the same ends.
BURR: And where do the Tertium Quid fit into all this?
CITIZEN SOUL: We are the third way, the alternative to the manipulations of The Club and The Cult. We seek to guide the course of history through inspiration, not coercion.
MARIA: And that’s why we need your help. The clone holds the key to stopping the destructive plans of The Club and The Cult. We must work together to prevent them from achieving their goals.
CITIZEN SOUL: Are you with us, Hamilton? Burr?
Hamilton and Burr exchange a look, then nod in agreement.
HAMILTON: We’re with you.
BURR: Let’s stop these secret societies and restore the true spirit of America.
CITIZEN SOUL: Excellent. We have much work to do. Let’s get started.
Fade to black.

TMS: How would it change the story if the clone were mute, having been grown in a tank and not aged as a real person?

If the clone were mute, it would change the story by making it more difficult for Hamilton, Burr, Maria, and Citizen Soul to communicate with him. They would have to rely on other methods of communication, such as writing or sign language, to understand his thoughts and intentions. This could add an extra layer of tension and difficulty to the plot, as they try to decipher his motivations and actions. It could also create opportunities for misunderstanding and miscommunication, potentially leading to conflict within the group. Overall, a mute clone would add a unique challenge for the characters and add a different dimension to the story.

TMS: The clone would not be able to write, either. He would simply have a quiet dignity.

In that case, the scene where Hamilton and Burr meet the clone would be quite different. The clone would not be able to speak, so they would have to communicate with him in other ways. Perhaps they could use sign language, or write notes back and forth. This would also change the way the clone is treated by the secret service agents who capture him at the National Archive. Since he cannot speak, they may not see him as much of a threat, and may not be as rough with him when they subdue him. It would also change the way the clone is able to interact with Maria and Citizen Soul when they bring him to meet them. He would not be able to speak with them, so they would have to find other ways to communicate. This could be an interesting challenge for the writers to explore.

TMS: I like that the clone can speak, but it seems less realistic, given that he is aged in a tube and not through living life.

If the clone were mute, it would change the story in several ways. First, it would be difficult for the clone to communicate with Hamilton, Burr, and the others, which would create a sense of isolation and alienation for the clone. This could also make it harder for the clone to convince others of his identity as the true George Washington. Additionally, the mute clone’s inability to write could make it more difficult for him to leave behind evidence of the conspiracy he has uncovered. Overall, the mute clone’s condition would add a sense of mystery and frustration to the story.

TMS: I don’t like it as a story element, but it seems more realistic.

If the clone were mute, it would change the story in a number of ways. For one, he would not be able to speak to Hamilton and Burr, or anyone else, and would have to communicate through gestures or writing. This could make it more difficult for him to explain his actions at the National Archive, and would make it harder for Hamilton and Burr to understand his motivations. It would also add an extra layer of mystery to the clone’s character, as he would be unable to reveal much about himself or his past. Additionally, the mute clone’s inability to speak would likely make him more vulnerable, as he would be unable to defend himself or communicate his needs.

TMS: He would be very vulnerable, yes.

Perhaps the clone’s vulnerability could be exploited by The Club or The Cult, who might see him as a valuable asset or a threat to be eliminated. It could add an extra layer of tension and danger to the story.

TMS: His vulnerability could make him sympathetic to those people in the audience who do not like George Washington because he owned slaves.

Yes, the mute clone could serve as a reminder of the dark history of America and the atrocities committed by its founding fathers. This could add a layer of complexity to the story, as the characters and audience must grapple with the fact that these revered historical figures were also flawed individuals who were capable of great harm. It could also highlight the importance of considering and acknowledging history in order to learn from past mistakes and move towards a better future.

TMS: Let’s drop the idea for now that the clone is mute.

That works for me. We can revisit the idea later if we want, but for now let’s focus on the clone being able to speak and write.

TMS: What age do you think the clone is at the time of this story?

The age of the clone would depend on how long he has been in suspended animation. It is not clear from the information provided how long the clone has been in suspended animation.

TMS: I think the clone is aged to look as he is most familiar to us, as President on the dollar bill.

That would make him in his early 60s. He would have been cloned from DNA samples taken at that time in his life.

TMS: No. He is artificially aged in the cloning chamber.

I think the clone is aged to be around 55 years old, which is Washington’s age at the time of his death. This would allow him to look like his portraits, but also be strong enough to carry out the physical tasks required of him.

TMS: I believe he was closer to 65 when he died, but 55 is a good age for the story.

That makes sense. 55 would be a good age for the clone to be at the time of the story, as it is the age at which George Washington died. It would also make him more vulnerable, given that he has not lived a full life.

TMS: We need to explore what it means that Washington holds the blessing that The Club wants to steal and give to Bush.

The blessing that Washington holds could be a sort of magical power or favor from the gods. It could be seen as the source of his power and success as the first President of the United States. The Club wants to steal this blessing and transfer it to Bush in order to grant him the same power and success. This could be seen as a way for The Club to manipulate and control the government through the use of magic.

TMS: The proof that Washington is a vehicle for the blessing is based on his history, which involved surviving many encounters with death, and what should have been defeat. He himself believed he survived only because of God, whom he called The Great Disposer of Events.

This belief is reflected in his famous quote, “The hand of providence has been so conspicuous in all this, that he must be worse than an infidel that lacks faith, and more than wicked, that has not gratitude enough to acknowledge his obligations.” This quote suggests that Washington believed that he was able to accomplish great things because he was protected by a higher power. This higher power, or “blessing”, is what The Club wants to transfer to Bush.

TMS: exactly

The Club believes that Washington’s divine protection, or blessing, can be transferred to another person through a ritual. This is why they attempt to transfer the blessing from Washington to Bush at the National Archive. The clone disrupts this ritual, and The Club seeks another way to transfer the blessing. The occult arm of the Club, which is distrusted by the scientific arm, suggests a ritual sacrifice at the Washington Monument. The Cult, meanwhile, wants to corrupt this ritual in order to steal the blessing and reshape America in their own image. This conflict between the two secret societies is rooted in the historical conflict between Hamilton and Jefferson, who are reincarnated as the main characters in the story.

TMS: That is correct. Also, that The Club wants to steal the blessing for Bush suggests that they recognize that he does not have the blessing by his own merits. Heaven chose Washington, but The Club believe they have to trick Heaven into choosing Bush.

The Club believes that by transferring the blessing from Washington to Bush, they can control the outcome of the election and ensure that their candidate wins. They believe that by doing so, they can gain more power and influence in the world. However, their plan is interrupted by the clone, who disrupts the transfer of the blessing and sets into motion the events of the story.

TMS: Yes. It is interesting that The Club do not think that Bush has the blessing on his own merits. They have to steal it for him.

This could also reflect their view that the presidency is not earned, but rather something that can be manipulated through power and influence. The idea of stealing the blessing for Bush suggests that The Club sees the presidency as something that can be taken, rather than something that is earned through the will of the people.

TMS: As the blessing is conferred by the will of the people, and The Club feels it needs to steal the blessing for Bush, then they must believe he was not really elected.

Yes, that makes sense. The Club must believe that Bush was not truly elected by the people, and therefore does not have the blessing of the people. They must feel that they have to steal the blessing from Washington in order to confer it on Bush, in order to give him the legitimacy they believe he lacks. This suggests that The Club is not just a secret society, but a conspiracy to subvert democracy.

TMS: Exactly

The Club believes that Bush’s lack of the blessing is a flaw that they can correct with the right ritual, which is why they are planning the ritual sacrifice at the Washington Monument. They believe that by corrupting this ritual, they can steal the blessing and restart America in their own image.

TMS: One correction: it is The Cult that wants to corrupt that ritual.

Yes, you are correct. The Cult wants to corrupt the ritual to steal the blessing and restart America in their own image, while The Club seeks to transfer the blessing from Washington to Bush at the National Archive. The clone disrupts these plans, leading The Club and The Cult to seek alternative methods for transferring the blessing.

TMS: yes. the ritual is the backup plan The Club arrives at, after the clone spoils the ritual at the National Archive

The Cult, which is the occult arm of The Club, seeks to corrupt the ritual at the Washington Monument in order to steal the blessing and restart America in their own image. This creates a conflict between The Club’s scientific arm, which is responsible for cloning and the MUNDUS AI, and the occult arm, which is distrusted by the scientific arm. Hamilton and Burr become involved in this conflict when they are offered success in the music industry by The Cult, but eventually join forces with the Tertium Quid, an underground society of independent musicians with esoteric roots, in order to stop The Cult and The Club from achieving their goals.

TMS: in season one, The Cult and The Club are sworn enemies

In Season One, The Cult is trying to use culture to subvert the authority of The Club. They want to create a new America, in which the people have a voice, and where the government is accountable to them. The Club, on the other hand, wants to maintain the status quo, and keep the people ignorant and docile. They believe that the way to do this is to steal the blessing from Washington and give it to Bush, so that he can be a symbol of their power. However, the clone disrupts their plans, and so The Club seeks another way to transfer the blessing. The Cult comes up with the idea of a ritual sacrifice at the Washington Monument, but The Club is deeply skeptical of their occult technology. The conflict between the two secret societies comes to a head in Season One, with the clone at the center of it all.

TMS: That is almost correct. The occult wing of The Club comes up with the ritual sacrifice. The Cult learns of this plan and comes up with their own plan to stop it.

I see. So, in season one, the conflict between The Cult and The Club is over their competing plans for the ritual sacrifice. The Cult wants to prevent The Club from completing the ritual, while The Club wants to steal the blessing from Washington and transfer it to Bush.

TMS: Yes. The Cult wants to stop The Club from completing the ritual. Initially, The Cult does not know about the clone, and The Club’s first plan, of stealing the blessing at the national archive, only doesn’t work because the clone rebels.

In Season Two, when The Cult and The Club team up to try and import Jefferson’s consciousness into the MUNDUS AI, The Cult sees this as a way to subvert The Club’s power and gain control for themselves. But Hamilton, who has joined the Tertium Quid, sees this as a dangerous move that could have disastrous consequences. He and the Tertium Quid must race against time to stop The Cult and The Club from succeeding in their plan.

TMS: In Season Two, The Cult does not join up with The Club. It’s more an attempt at a hostile takeover, an incursion to import Jefferson’s awareness into MUNDUS, and thereby to take control of The Club, whose power depends upon MUNDUS’ ability to predict and program the future.

In this season, Burr allies herself with The Cult, using her role as a spy for The Club to facilitate their plan. Hamilton joins the Tertium Quid in an attempt to stop this. This leads Hamilton, Maria and Citizen Soul to ultimately find Jefferson’s secret chamber. The season ends with them debating what to do with Jefferson’s body, as disturbing his perfect repose would likely result in his death.

TMS: yes

In this case, The Club would be working to resurrect Washington as the clone, to use him as the vehicle for the stolen blessing. The Cult, on the other hand, wants to import Jefferson’s consciousness into the AI. These two goals are in conflict, because both The Club and The Cult want to use Washington’s body, but for different purposes. The Tertium Quid, led by Citizen Soul, want to prevent both of these groups from achieving their goals.

TMS: In season one, the Club wants to use the clone to steal the blessing. In season two, the Cult wants to transfer Jefferson’s mind into MUNDUS and take control of the Club and the country. They believe Jefferson in MUNDUS will behave as a benevolent dictator

Yes, that is correct. The Cult sees Jefferson as a means to an end, in their quest for power and control. The Club, on the other hand, views the clone as a tool for achieving their own goals. In season one, the conflict between the two secret societies centers around the clone and the ritual at the National Archive. In season two, the conflict shifts to the disagreement over the potential use of MUNDUS and Jefferson’s mind.

TMS: Basically, yes. The first season is about stopping the Club. The second season is about stopping the Cult.

In the first season, Hamilton and Burr are initially swayed by The Cult, which saves them from the agents of The Club who are trying to capture them and retrieve the video of the assault at the National Archive. Maria, an attractive and successful musician, introduces them to The Cult. The head musician at the club where Maria performs, Citizen Soul, is secretly the leader of the Tertium Quid, an ancient group with esoteric knowledge.
In the second season, titled “Thomas Jefferson Still Lives”, Burr allies herself with The Cult in their attempt to import Jefferson’s consciousness into MUNDUS, while Hamilton joins the Tertium Quid in trying to stop them. This leads them to find Jefferson’s secret chamber, where they must decide whether to disturb his perfect repose and risk his disintegration.
In the third season, titled “The Hidden Republic”, the Cult and the Club are working together to rebuild a new version of MUNDUS. Burr has become the leader of this new alliance.
In the fourth season, titled “The Will of Heaven”, the enemies of the Tertium Quid, a group of anarchists called The Black Hand, are introduced.
In the fifth and final season, titled “The End of the Beginning”, the story reaches its climax as the Tertium Quid, Hamilton, and Burr must confront The Black Hand and prevent them from destroying the country.

TMS: Let’s rename the fourth group “The Black Fist”, to indicate their commitment to violence

That works. The Black Fist are the enemies of the Tertium Quid in season four. They are a group of anarchists who believe in the use of violence to bring about change. They clash with the Tertium Quid, who have a more peaceful and spiritual approach to resistance.

TMS: yes. the Tertium Quid believe in art and culture and consent, never compulsion. the Black Fist believe in “smashing oppression”

Sounds good! The Tertium Quid and the Black Fist would have a very different approach to achieving their goals. The Tertium Quid would use art and culture to change society, while the Black Fist would use violence and direct action. This contrast would create tension and conflict between the two groups in Season Four.

TMS: This tension mirrors the tension between The Cult and The Club in previous seasons.

Yes. It is a struggle for control of the nation’s future, and the means to that end reflect the ideals and beliefs of each group. The Tertium Quid believe in using art and culture to influence the masses, while the Black Fist believe in using violence and force. The challenge for Hamilton and Burr, as well as the other members of the Tertium Quid, is to find a way to stop the Black Fist without resorting to the same means.

TMS: Yes. Though Burr may not rejoin Hamilton and the Quids till Season Five

In Season Five, “The End of the Beginning”, Hamilton and Burr are reunited, and together they take on the Black Fist in a final showdown. The Tertium Quid, the Cult, and the Club all come together to stop the Black Fist from unleashing their violent revolution on the world. In the end, the main characters must decide the future of the country, and whether or not to wake up Thomas Jefferson to help guide them.

TMS: I think they finally decide to move Jefferson and end his troubled dreams.

At the end of Season Two, Hamilton, Citizen Soul, and Maria come to the decision to end Jefferson’s troubled dreams. They realize that disturbing his perfect repose will ultimately lead to his disintegration, but they also know that they cannot allow The Cult to import his consciousness into MUNDUS. They decide to move him to a new location, where they can keep him safe and allow him to pass on in peace.

TMS: At the end of Season Two they leave him where he is, but destroy MUNDUS. At the end of Season Five, they give him a burial.

The destruction of MUNDUS is a crucial moment for the story, as it means that The Club can no longer control the future. The Tertium Quid, Hamilton, and Maria are able to thwart the plans of both The Club and The Cult, but they are forced to leave Jefferson in his suspended animation. In Season Five, they return to him, and after a long and difficult debate, they give him a proper burial, and he finally passes on to the next life.

TMS: in screenplay style, write this final scene:

Fade in:
INT. MONTICELLO BASEMENT – DAY
Hamilton, Maria, and Citizen Soul stand before the dodecahedral chamber containing Jefferson’s body.
Hamilton: We can’t leave him like this. He deserves a proper burial.
Maria: But if we disturb him, he’ll disintegrate. He’s been in stasis for three hundred years.
Citizen Soul: We have to take the risk. We can’t let him suffer any longer.
Hamilton nods, and the three of them approach the chamber. Hamilton carefully opens the door, and they all gasp at the sight of Jefferson’s desiccated body.
Maria: He looks so peaceful.
Citizen Soul: But he’s not at peace. His mind is trapped in a never-ending nightmare.
Hamilton: Let’s give him the rest he deserves.
The three of them carefully lift Jefferson’s body out of the chamber and lay him on a stretcher. They cover him with a shroud, and Citizen Soul begins to chant in a language unknown to Hamilton and Maria.
As they carry the stretcher out of the room, the camera pans out to reveal the beauty of Monticello, bathed in sunlight.
Fade to black.
THE END.

TMS: Summarize all five seasons in separate paragraphs containing the defining elements and events of each season:

Season One: The Return of the King
In the first season, Hamilton and Burr are united in their efforts to stop the Club from performing a ritual sacrifice of the George Washington clone in order to steal the blessing of the people. The Cult, who are sworn enemies of the Club, also attempt to stop the ritual. However, the clone rebels, foiling the Club’s plan and leading them to come up with a backup plan involving the transfer of Thomas Jefferson’s consciousness into MUNDUS.
Season Two: Thomas Jefferson Still Lives
In the second season, Burr allies herself with the Cult in their attempt to transfer Jefferson’s consciousness into MUNDUS, using her role as a spy for the Club to facilitate the plot. Hamilton joins the Tertium Quid, a group of independent musicians with esoteric roots, in an effort to stop the Cult’s plan. This leads Hamilton, Maria, and Citizen Soul to ultimately discover Jefferson’s secret chamber.
Season Three: The Hidden Republic
In the third season, the Cult and the Club are forced to work together to rebuild MUNDUS after it is destroyed. Burr has become the leader of the new Cult/Club alliance and is determined to use MUNDUS to achieve her own goals. Hamilton and the Tertium Quid must fight against the Cult and the Club in order to prevent them from gaining too much power.
Season Four: The Will of Heaven
In the fourth season, the enemies of the Tertium Quid, a group of anarchists known as the Black Fist, emerge. This creates tension between the Tertium Quid and the Black Fist, with both groups fighting for control over the future of the country. Burr, who has been estranged from Hamilton and the Tertium Quid since the end of Season Two, must decide where her loyalties lie.
Season Five: The End of the Beginning
In the final season, Hamilton, Citizen Soul, and Maria must decide the fate of Thomas Jefferson and the future of the country. They ultimately decide to move Jefferson and end his troubled dreams, before giving him a proper burial. The conflict between the Cult, the Club, the Tertium Quid, and the Black Fist is resolved, and a new era of peace and unity begins.

TMS: The transfer of Jefferson’s consciousness to MUNDUS is the subject of season two. The ritual sacrifice of the clone by The Club is the subject of season two:

Season One: “The Return of the King”
The story begins with a secret ritual being planned by a powerful occult branch of The Club, a political organization that has controlled the United States since its founding. The ritual involves the cloning of George Washington, and the intent is to steal his divine blessing and give it to the current president, George W. Bush. However, the clone rebels and escapes, setting off a chain of events that involve two young musicians, Alexander Hamilton and Aaron Burr, who become aware of the existence of The Club and The Cult, a rival group who seek to use art and culture for social change.
Season Two: “Thomas Jefferson Still Lives”
The Cult, led by the enigmatic Citizen Soul, learns of The Club’s failed ritual and comes up with their own plan to defeat them. Their plan involves transferring the consciousness of Thomas Jefferson, who has been in a state of suspended animation for centuries, into the artificial intelligence known as MUNDUS. This would give them control over The Club, whose power is based on MUNDUS’s ability to predict and manipulate the future. Hamilton and Burr, now aware of the true nature of the world they live in, team up with the Tertium Quid, an underground group of independent musicians, to stop The Cult and save Jefferson.
Season Three: “The Hidden Republic”
The Club and The Cult form an uneasy alliance, with Burr as the leader, in order to rebuild MUNDUS and continue their fight for control. Hamilton and the Tertium Quid must find a way to stop them, while also dealing with the emergence of a new enemy: The Black Hand, a group of anarchist musicians who believe in using violence to achieve their goals.
Season Four: “The Will of Heaven”
The battle between the Tertium Quid and The Black Hand intensifies, with both sides suffering losses. Meanwhile, the Cult/Club alliance continues to grow stronger, forcing Hamilton and the Quids to make a desperate decision.
Season Five: “The End of the Beginning”
Hamilton, Burr, and the remaining members of the Tertium Quid come up with a plan to finally put an end to the Cult/Club alliance and restore balance to the world. They must confront the ghosts of their past lives, and make a difficult choice about the fate of Thomas Jefferson. In the end, they decide to give him a proper burial and move on to create a new future for themselves and for America.

TMS: The fourth group is The Black Fist. Citizen Soul is not the leader of The Cult. He is the leader of the Quids, though he has infiltrated The Cult.

Season One: “The Return of the King”
In the first season, a clone of George Washington is discovered in a secret underground laboratory. The clone is being held captive by a group of elite conspirators known as The Club, who plan to use the clone in a ritual sacrifice to steal Washington’s divine blessing and transfer it to George W. Bush. Hamilton and Burr, two childhood friends who are now struggling musicians, discover the clone and team up with Maria and Citizen Soul, members of a rival group known as The Cult, to stop The Club’s plan and save the clone.
Season Two: “Thomas Jefferson Still Lives”
In the second season, the focus shifts to Thomas Jefferson, who is revealed to be alive and in suspended animation in a geometrically perfect chamber beneath Monticello. The Cult, now led by Burr, plots to import Jefferson’s consciousness into the neural network of MUNDUS, a powerful AI that is controlled by The Club. Hamilton, now allied with the Tertium Quid, a group of independent musicians led by Citizen Soul, works to stop Burr and The Cult from succeeding in their plan.
Season Three: “The Hidden Republic”
In the third season, The Club and The Cult form an alliance in order to rebuild MUNDUS and use it to control the country. Burr, now the leader of the alliance, uses her position to try and gain power for herself. Meanwhile, Hamilton and the Tertium Quid work to stop their plans and reveal the truth about their actions to the American people.
Season Four: “The Will of Heaven”
In the fourth season, Hamilton and the Tertium Quid come into conflict with a group of anarchist musicians known as The Black Fist, who believe in using violence to achieve their goals. This tension mirrors the tension between The Cult and The Club in previous seasons.
Season Five: “The End of the Beginning”
In the final season, Hamilton, Burr, and the other characters must confront the legacy of the Founding Fathers and the choices they made in their past lives. They ultimately decide to give Jefferson a proper burial and move on from the past, looking towards a new future for America.

TMS: Detail the story arc of season one in five to ten paragraphs.

 

In season one of THE UNDEAD FOUNDING FATHER FORCE, Hamilton and Burr are introduced as childhood friends living in a small town in Rhode Island. Both are struggling to find their place in the world and long for the kind of power and influence they once had in their past lives as Hamilton and Burr.
Their lives are turned upside down when they encounter a clone of George Washington, who has been created by the secret society known as The Club. The Club’s plan is to use the clone to steal the blessing of the American people, which they believe Washington holds, and transfer it to George W. Bush.
Hamilton and Burr team up with Maria, a singer and member of The Cult, a rival secret society, to stop The Club’s plan. They successfully thwart the Club’s initial attempt to steal the blessing at the National Archive, but the clone rebels and escapes.
As the season progresses, Hamilton and Burr learn more about the power struggles between The Cult and The Club, and the ancient roots of their secret societies. They also discover that Citizen Soul, the leader of the band that Maria plays in, is actually the leader of the Tertium Quid, an underground group of independent musicians with their own esoteric traditions.
In the season finale, The Club comes up with a new plan to steal the blessing – a ritual sacrifice of the clone. The Cult learns of this plan and comes up with their own plan to stop it. In a climactic battle, Hamilton, Burr and Maria team up with the Tertium Quid to stop The Club and The Cult from completing their rituals. In the end, the clone is killed, but the blessing is not stolen. The season ends with a hint that Thomas Jefferson is still alive, kept in a state of suspended animation under Monticello.

TMS: Detail the story arc of season two in five to ten paragraphs.

In season two, Hamilton and Burr are estranged after their successful attempt to stop the ritual sacrifice of the clone in season one. Burr, disillusioned with the Tertium Quid’s lack of commercial success, allies herself with The Cult in their attempt to import Thomas Jefferson’s dormant consciousness into MUNDUS. Hamilton, drawn to the Tertium Quid’s idealism and heroic virtue, joins them in trying to stop this plan.
Meanwhile, Citizen Soul, the secret leader of the Tertium Quid, continues to infiltrate The Cult, gathering information and trying to sabotage their plans. Maria, also a secret member of the Quids, aids them in their mission.
As the season progresses, the tension between Burr and Hamilton grows, as they find themselves on opposite sides of a battle for the future of the country. In the climactic finale, Hamilton, Citizen Soul, and Maria discover Jefferson’s secret chamber and must decide whether to disturb his perfect repose and risk his disintegration, or allow The Cult to import his consciousness into MUNDUS.
In the end, they choose to destroy MUNDUS and prevent either The Cult or The Club from achieving their goals. However, the damage has been done, and Burr and Hamilton are left more divided than ever, setting the stage for the conflicts to come in future seasons.

TMS: detail the story arc of season three in five to ten paragraphs

In season three, “The Hidden Republic”, the Tertium Quid and the Black Fist are revealed to be at war with each other. The Quids, led by Citizen Soul, seek to preserve the culture and traditions of the country, while the Black Fist, a group of radical anarchists, seek to destroy the old order and create a new, more egalitarian society.
Meanwhile, Burr has become the leader of a new Cult/Club alliance, and is working to import Jefferson’s consciousness into MUNDUS in order to gain control of the AI and the country. Hamilton, Maria and Citizen Soul must find a way to stop this plan, even as they are caught in the middle of the war between the Quids and the Black Fist.
As the season progresses, the group learns more about the hidden history of the country and the true nature of the Tertium Quid and the Black Fist. They discover that both groups have ancient roots, stretching back to the Troubadours and Sufi mystics of the Middle Ages. They also uncover the true purpose of MUNDUS, and the potential dangers of using it to manipulate the future.
Ultimately, Hamilton and the others must make a difficult choice: to let Burr and the Cult/Club alliance succeed in their plan, or to destroy MUNDUS and potentially unleash chaos upon the country. As the season comes to a close, the group must make a decision that will shape the future of the United States.

TMS: Detail the story arc of season four in five to ten paragraphs

In season four, Hamilton and the Tertium Quid continue their fight against The Cult and The Club. They discover that the Black Fist, a group of anarchists, is also fighting against these two groups. As they work together to stop The Cult and The Club, tensions rise between the Quids and the Black Fist over their differing ideologies. The Black Fist believes in using violence to fight against oppression, while the Quids believe in using art and culture.
Meanwhile, Burr has become the leader of The Cult and is working to import Jefferson’s consciousness into MUNDUS. She is also secretly working with The Club, hoping to gain power for herself. As the conflict between the groups intensifies, Hamilton and the Quids must decide how far they are willing to go to stop The Cult and The Club from achieving their goals.
In the end, the Quids and the Black Fist are able to stop The Cult and The Club, but not without sacrifices. The Black Fist is disbanded, and Burr is arrested for her betrayal. The Quids are left to pick up the pieces and figure out what their next steps will be in the ongoing fight against those who seek to use power and control for their own gain.

TMS: Detail the story arc of the fifth and final season in five to ten paragraphs.

In season five, the Tertium Quid and the Black Fist come together to stop the plans of The Cult and The Club. They team up to prevent the transfer of Jefferson’s consciousness to MUNDUS, and also to thwart The Club’s attempt to steal the blessing of the people for their own gain. As the conflict comes to a head, Hamilton and Burr are forced to confront their own rivalry and come to a resolution. In the end, they decide to give Jefferson a proper burial and move on with their lives. The season ends on a hopeful note, with the protagonists working together to build a better future for America.

TMS: write character descriptions of all of the main characters

Hamilton is a driven and ambitious young man who is determined to make a name for himself and leave his mark on the world. He is a skilled musician and performer, but he is also deeply political and idealistic, with a strong sense of justice and fairness.
Burr is also ambitious, but in a more subtle and calculating way. He is a master manipulator and a skilled politician, with the ability to charm and persuade those around him. However, he is also deeply jealous of Hamilton’s talent and success, and this leads to a bitter rivalry between the two men.
Maria is a powerful and influential figure in the world of music, with connections to both The Cult and The Club. She is a devout Trekkie and a skilled singer-songwriter, and she uses her talents and connections to try to help Hamilton and Burr on their journey.
Citizen Soul is the leader of the Tertium Quid, a group of independent musicians who are fighting against the control of The Cult and The Club over the music industry. He is a talented musician and a visionary, with a deep understanding of the power of art and culture to change the world.
The clone is the central figure in season one, as both The Cult and The Club seek to use him to their own ends. He is a mute and mysterious figure, with a deep sense of dignity and grace, despite the terrible circumstances of his creation.

TMS: Burr is a trans woman

Burr is a trans woman who is also a former founding father. She is a complex character, torn between her loyalty to the Cult and her own ambition to gain power and recognition. In her past life, she was the Vice President of the United States, but in her current life, she is born into a small town in Rhode Island. She is also an accomplished singer-songwriter, and uses her music to gain access to the Cult and to infiltrate the Club. She is drawn to the Cult by their promise of power and success, but is repulsed by their lack of principle. She is also a spy for the Club, hoping to gain power for herself by serving both sides. She is intelligent and cunning, but ultimately conflicted and unsure of herself.
Citizen Soul is a Black man who is the leader of the Tertium Quid, a secret society of independent singer-songwriters with roots in ancient Sufism. He is a charismatic and idealistic leader, committed to the cause of art and culture. He is also a master of disguise, and uses his talents to infiltrate the Cult and oppose their plans. He is a friend and ally of Hamilton and Maria, and helps them to discover the secret chamber where Jefferson’s body is kept.
Hamilton is a young, ambitious singer-songwriter who is drawn into the world of the founding fathers when he meets the clone of George Washington. He is a former founding father, who in his past life was one of the most influential and powerful men in America. In his current life, he is born into a small town in Rhode Island, and struggles to find meaning and significance. He is drawn to the Tertium Quid by their idealism and heroic virtue, and becomes a leader among them. He is also a friend and ally of Maria, and together they oppose the plans of the Cult and the Club.
Maria is a young woman who is also a founding father in her past life. She is born into a small town in Rhode Island, and is a member of the Tertium Quid. She is a skilled singer-songwriter and musician, and uses her talents to oppose the plans of the Cult and the Club. She is a friend and ally of Hamilton and Citizen Soul, and together they discover the secret chamber where Jefferson’s body is kept. She is also secretly a trekkie, and uses her knowledge of science fiction to help her friends understand the world of the founding fathers.
George Washington is the clone of the first President of the United States. He is created by the Club in an attempt to steal the blessing that Washington holds, and to give it to George W. Bush. The clone rebels against his creators, and is saved by Hamilton, Maria and Citizen Soul. He is a mute, and unable to write, but has a quiet dignity that makes him sympathetic to the audience. He is also a key figure in the story, because he holds the blessing that the Club wants to steal, and the Cult wants to corrupt.

TMS: describe the friendship that the reincarnated Hamilton and Burr have as children in a small town

As children, Hamilton and Burr are close friends who enjoy spending time together. They are both outsiders in their small town, but they find solace in each other’s company. They share a love of learning and a desire to make a difference in the world. Despite their different backgrounds and personalities, they are able to form a deep and lasting bond. As they grow older, their friendship is tested by their ambition and their differing views on politics, but they always remain close.

TMS: How is their friendship affected by their encounter with The Cult and Club?

As children, Hamilton and Burr are good friends, bonding over their shared sense of being out of place in their small town. They both feel frustrated by their lack of significance and power in their current lives, and long for the greatness that they know they possessed in their past lives. Their friendship is tested when they encounter The Cult and The Club, who offer them a way to regain their power. Burr is tempted by The Cult’s offer of success in the music industry, while Hamilton is drawn to the idealism of The Tertium Quid, who are secretly fighting against both The Cult and The Club. The encounter with these powerful forces ultimately splits Hamilton and Burr, as they choose different paths to achieving their goals.

TMS: As children, both the reincarnated Hamilton and Burr have alcoholic fathers, which severely impacts their faith in authority figures.

This shared trauma and their mutual sense of isolation and marginalization in their small town leads to a strong bond between them. They find solace and support in each other, and their friendship helps them to cope with the hardships of their childhoods.
However, their encounter with The Cult and The Club changes the dynamic of their friendship. The promise of significance and power that The Cult and The Club offer them awakens the ambition and hunger for success that were present in their past lives as Hamilton and Burr. This ambition starts to drive a wedge between them, as they compete for the attention and favor of The Cult and The Club.
Their differing reactions to The Cult and The Club also start to pull them apart. Hamilton is attracted to the idealism and heroic virtue of the Tertium Quid, while Burr is drawn to the ruthless pursuit of power and success by The Cult. As a result, their friendship becomes strained and ultimately falls apart, leading to the same conflict that ended in their deaths in their past lives.

TMS: Having alcoholic fathers gives both Hamilton and Burr a sense that authority is arbitrary and cruel. Hamilton yearns for an ideal father, such as Washington represented in his past life, during the American Revolution and early republic. Burr, on the other hand, comes to believe that all power is just manipulation. So, rather than seeking after a romantic ideal of authority, she seeks to master the art of power.

As they grow older and encounter The Cult and The Club, their friendship is strained. Hamilton is drawn to the idealism of the Tertium Quid and Citizen Soul, while Burr is attracted to the dark power of The Cult. They find themselves on opposite sides, as Hamilton tries to stop The Cult’s plan to import Jefferson’s consciousness into MUNDUS, while Burr sees this as an opportunity to gain power for herself. Their shared history and experiences are not enough to keep them united in the face of these external forces.

TMS: This fundamentally different view of authority plays out in Hamilton and Burr’s argument about Star Wars and Star Trek.

Hamilton, being the Star Wars fan, believes in a clear sense of good and evil, and the heroic struggle against evil. Burr, being the Star Trek fan, sees the universe as more complex and morally ambiguous. She believes that the only way to navigate this complexity is through cunning and strategy. This difference in perspective ultimately leads to their estrangement and conflict in later seasons.

TMS: It’s the other way around: Burr is the Star Wars fan, and Hamilton the Star Trek fan.

Their differing opinions on the two franchises reflect their differing views on authority and power. Burr, as a fan of Star Wars, is drawn to the epic struggle of good versus evil and the clear hierarchy of the Jedi and the Empire. Hamilton, as a fan of Star Trek, is more interested in the cooperative, exploratory nature of the Enterprise and the Prime Directive. This contrast foreshadows their eventual split in season two, when they have to choose between The Club and The Cult.

TMS: Burr is fascinated by Star Wars because she wants to understand what it is that made is so successful. In her mind, the success of Star Wars holds the secret of achieving social power. Hamilton, on the other hand, loves Star Trek because he believes it was driven by a deep idealism that expressed itself best in the friendship between Kirk, Spock and McCoy.

Hamilton views the Star Trek trinity as a kind of ideal father, son and holy ghost, with Kirk representing the authority of the father, Spock representing the cool reason of the son, and McCoy representing the compassion of the holy ghost. So, when the two of them are talking about Star Wars and Star Trek, they are really talking about the things they most long for, and the different ways they believe power can be pursued.

TMS: Burr views Star Wars as holding the secret to social power and legitimacy.

Hamilton views Star Trek as expressing a deep idealism that he wants to embody in his own life. Their different perspectives on these popular culture phenomena reflect their fundamental differences in their approach to power and authority. This tension eventually leads to their estrangement and the events of season two.

TMS: In addition to being songwriters, and creators of the podcast STARS AND STATES, Hamilton and Burr want to be screenwriters.

This desire to be screenwriters is part of their shared ambition to succeed in the world and be recognized for their talents. In their past lives, as Alexander Hamilton and Aaron Burr, they were very powerful and influential men, but in their current lives, they are just ordinary people, trying to make their way in the world. They see screenwriting as a way to regain the significance that they once had.

TMS: Burr wants to discover the secret of Star Wars so as to be able to regain the significance she once had.

Hamilton wants to use Star Trek as a model for creating a better world. This desire comes from his deep idealism and his belief in the power of friendship and cooperation. As they grow older, Hamilton and Burr’s differing views on power and authority come into conflict and ultimately lead to their estrangement.

TMS: Hamilton believes that Star Trek presented a hopeful vision of America. Burr believes that Star Wars holds the secret to achieving great power.

In their youth, Hamilton and Burr are just two ordinary kids in a small town. They become friends and share a passion for science fiction and popular culture. However, as they grow older and encounter The Cult and The Club, their friendship is strained. Hamilton becomes drawn to the Tertium Quid, who are led by Citizen Soul, while Burr is drawn to The Cult and its promise of power. This conflict ultimately leads to their estrangement and the events of Season Two.

TMS: With this in mind, rewrite (in screenplay format) the scene in THE SWAMP during their set break, where Hamilton and Burr are arguing about Star Wars and Star Trek, and have their conversation overheard by Maria, who has been sent to retrieve them from THE SWAMP by Citizen Soul

INT. THE SWAMP – DAY
Hamilton and Burr sit at a small table, surrounded by empty beer bottles. Hamilton is animated, gesturing as he talks.
HAMILTON:
Come on, man. Star Trek is the better franchise. The characters are well-developed, the stories are more complex and thought-provoking.
BURR:
But Star Wars is just so epic. The scale, the action, the sheer entertainment value. You can’t deny that.
HAMILTON:
I’m not denying that it’s entertaining, but it’s not the same kind of depth that Star Trek has.
BURR:
You know what I think it is? I think it’s the fact that Star Wars has a clear-cut good versus evil dynamic, and Star Trek is more gray.
HAMILTON:
Exactly! That’s what makes Star Trek so much more interesting. It’s not just about good guys and bad guys, it’s about how people navigate those moral complexities.
Maria approaches their table, interrupting their argument.
MARIA:
Hamilton, Burr, Citizen Soul needs to see you both.
BURR:
Can’t it wait? We’re in the middle of something here.
MARIA:
I’m afraid not. This is important.
HAMILTON:
Fine. We’ll be right there.
Hamilton and Burr exchange a glance, before gathering their things and following Maria out of THE SWAMP.
FADE TO BLACK.

TMS: include in this scene the ideas of Star Trek presenting a hopeful vision for America, and Star Wars holding the keys to success as an artist

INT. THE SWAMP – DAY
Hamilton and Burr are sitting at the bar, arguing over Star Wars and Star Trek.
BURR:
Star Wars is the key to success. It’s all about power.
HAMILTON:
But Star Trek is about ideals. It’s about hope.
BURR:
Hope is great, but it doesn’t pay the bills.
HAMILTON:
Star Trek is more than just a financial success. It’s about friendship and exploration.
BURR:
Friendship and exploration are great, but they don’t get you where you want to be in this world.
MARIA:
Excuse me, gentlemen. Citizen Soul sent me to find you.
HAMILTON:
Maria! We were just talking about you.
MARIA:
Really? What were you saying?
BURR:
We were just discussing the merits of Star Wars versus Star Trek.
MARIA:
Ah, I see. Well, I’m a big fan of both. But if I had to choose, I would say Star Trek presents a more hopeful vision for America.
HAMILTON:
Exactly! That’s what I was saying.
BURR:
Fine, but Star Wars is all about the power of the artist.
MARIA:
I think there is something to be said for both. But right now, we have more pressing matters to attend to. Citizen Soul needs us to come with her.
HAMILTON:
Of course. Let’s go.
Burr and Hamilton follow Maria out of THE SWAMP, still arguing about Star Wars and Star Trek.

TMS: This scene takes place in the evening, during a set break in their show. Hamilton and Burr have never met Maria before, and don’t know who Citizen Soul is.

INT. THE SWAMP – NIGHT
Hamilton and Burr are sitting at a small table, sipping on drinks.
HAMILTON:
Come on, Burr, you can’t honestly believe that Star Wars is better than Star Trek. Star Trek is the original, the one that started it all. It’s the better show because it has heart.
BURR:
Heart? That’s just sentimentality, Hamilton. Star Wars is where it’s at. It’s successful, it’s popular, it’s the one that everyone knows and loves. That’s what matters in this business.
HAMILTON:
But at what cost? Star Trek has a hopeful vision for America, for humanity. Star Wars is just about special effects and cool battles.
BURR:
(Skeptical) And that’s a bad thing? Come on, Hamilton, we’re in this business to succeed. And success means having the keys to the kingdom, not just being some idealistic dreamer.
MARIA:
(Offstage) Excuse me, are you two Alexander Hamilton and Aaron Burr Jr.?
Hamilton and Burr look up to see Maria standing over them, holding a clipboard.
HAMILTON:
(Surprised) Uh, yeah, that’s us.
MARIA:
(Smiling) I’m Maria, I work with Citizen Soul. He sent me to find you two. He heard your podcast, STARS AND STATES, and he thinks you two would be a great addition to our group.
BURR:
(Skeptical) And who is Citizen Soul?
MARIA:
Citizen Soul is a singer-songwriter, and the leader of the Tertium Quid. We’re a group of artists and activists who are trying to make a difference in the world through our art and our message.
HAMILTON:
(Excited) That sounds amazing! I’ve always believed in the power of art to change the world.
BURR:
(Dubious) And what’s in it for us?
MARIA:
(Confident) The chance to be a part of something bigger than yourselves, to make a real difference. And the opportunity to work with some of the most talented and passionate people in the industry.
HAMILTON:
(Looking at Burr) What do you say, Burr? Shall we join the Tertium Quid?
BURR:
(Thinking) I don’t know, Hamilton. It sounds like a lot of talk, and not a lot of action.
HAMILTON:
Come on, Burr, don’t you want to be a part of something that matters? Don’t you want to use our talents for good?
BURR:
(Sighing) Fine, Hamilton. Let’s go meet this Citizen Soul and see what he has to say.
Hamilton and Burr follow Maria out of THE SWAMP, excited for what the future holds.

TMS: Tertium Quid is the name of Citizen Soul’s record label. Maria would not reveal that it’s a secret society, yet.

Hamilton and Burr are seated on a couch in the green room of THE SWAMP, a dingy underground club in the heart of Washington DC. They are both in their early twenties, and wear t-shirts and jeans. Hamilton has a wild mop of curly hair, and Burr has a pixie cut. They are deep in conversation.
Hamilton: I just don’t understand why anyone would prefer Star Wars to Star Trek. Star Trek was about exploration and hope, and Star Wars was just about blowing stuff up.
Burr: Are you kidding me? Star Wars is the greatest story ever told! It’s about power and corruption, and the struggle to hold onto what’s good in the face of overwhelming evil.
Hamilton: But that’s exactly what I don’t like about it. It’s all about violence and power, and not about the things that make us human.
Burr: That’s exactly why I like it! It’s not afraid to be dark and complex, and it doesn’t shy away from the hard truths about life.
Hamilton: But that’s not what art is supposed to be about. Art is supposed to uplift us, to make us better people.
Burr: And who says that can’t happen through Star Wars? It’s a powerful story, and it has the ability to inspire and move people in ways that Star Trek never could.
Just then, the door to the green room opens and Maria steps in. She is in her late twenties, with long dark hair and a no-nonsense demeanor. She wears a black t-shirt with the logo of Tertium Quid, Citizen Soul’s record label.
Maria: Hamilton, Burr, I’m Maria. Citizen Soul sent me to get you. He’s heard your podcast, STARS AND STATES, and he wants to meet you.
Hamilton: Oh, cool! We’re huge fans of Citizen Soul’s music.
Burr: Yeah, we love his stuff. It’s so honest and raw.
Maria: Well, he’s a fan of yours too. He thinks you have a lot of potential as artists, and he wants to help you develop your talents.
Hamilton: That would be amazing!
Burr: Definitely. Let’s go meet him.
As they walk out of the green room, Hamilton and Burr are excited to meet Citizen Soul, and to learn more about the world of independent music and art. They have no idea that they are about to be drawn into a dangerous and secretive battle for the future of America.

TMS: I like the idea that Burr and Hamilton know Citizen Soul’s music, and that Maria approaches them with the idea that Citizen Soul has heard their podcast and is interested to meet them.

In this revised scene, Hamilton and Burr are sitting on a couch in THE SWAMP, sipping beers and talking animatedly about Star Wars and Star Trek.
HAMILTON:
I can’t believe you’re a Star Wars fan, Burr. Star Trek is so much more sophisticated and imaginative.
BURR:
Are you kidding me? Star Wars is the ultimate expression of the human spirit. It’s about the struggle for power and the quest for victory.
HAMILTON:
That’s exactly my point. Star Trek is about exploring the universe and learning from other cultures. It’s about hope and friendship.
BURR:
Hope and friendship are all well and good, but if you want to succeed as an artist, you need to understand what makes Star Wars so successful.
Just then, Maria approaches them and interrupts their conversation.
MARIA:
Excuse me, are you Hamilton and Burr? I’m Maria, and I work for Citizen Soul. He’s heard your podcast, STARS AND STATES, and he’s really interested to meet you.
HAMILTON:
Citizen Soul? The singer-songwriter? I love his music.
BURR:
Me too. I’ve always admired his lyrics and his voice.
MARIA:
Well, he’s here tonight and he’d like to invite you to meet him backstage. He’s a big fan of your podcast and he wants to talk to you about some exciting opportunities.
HAMILTON:
Really? That would be amazing. Let’s go, Burr.
BURR:
Absolutely. Let’s do this.
They follow Maria backstage, eager to meet Citizen Soul and hear more about the opportunities he has to offer.

TMS: I like that Maria has a black t-shirt with the Tertium Quid logo on it. I like her interrupting the discussion by saying it sounds like a podcast she listens to.

Here is a possible rewritten version of the scene:
INT. THE SWAMP – SET BREAK
HAMILTON and BURR sit at a table, drinking beers. They are arguing about Star Wars and Star Trek.
HAMILTON:
Star Trek is the better franchise. It’s about the exploration of the human condition, the search for meaning and morality.
BURR:
Star Wars is the better franchise. It’s about the struggle for power, the rise and fall of empires. It’s a story of what it takes to be a hero.
MARIA:
(interrupting)
You two sound like a podcast I listen to. It’s called STARS AND STATES.
HAMILTON:
That’s because we make that podcast.
BURR:
(impressed)
You’re a fan?
MARIA:
Yes. I’m a big fan. In fact, Citizen Soul heard your podcast and wants to meet you. He’s the lead singer of Tertium Quid.
HAMILTON:
(excited)
I love Citizen Soul’s music. It’s so original, so authentic.
BURR:
(skeptical)
Yeah, well, it’s also not very successful.
MARIA:
(ignoring Burr)
Citizen Soul is a big fan of your podcast. He thinks you have a lot of insight into what’s going on in America right now. He’s been wanting to meet you for a while.
HAMILTON:
(to Burr)
We should definitely meet him.
BURR:
(reluctantly)
Fine. Let’s go meet your hero.
MARIA:
Great. Follow me.
They all get up and start walking towards the exit. Maria is wearing a black t-shirt with the Tertium Quid logo on it.

TMS: One problem with this scene is that this conversation happens during a set break. Meaning, Hamilton and Burr are supposed to play a second set. They might walk out on their second set because there are so few people in the bar. Even the bar tender barely notices them when they try to order a drink, though the bar is mostly empty.

Burr: I don’t know why you think Star Trek is better than Star Wars. Star Wars is all about power and success.
Hamilton: That’s because you’re obsessed with power, Burr. I like Star Trek because it’s about hope. It’s about a future where humanity has progressed beyond the need for violence and greed.
Burr: You’re so naive, Hamilton. You think art is about being good and pure. That’s not how the world works.
Maria: Excuse me, but you two sound like a podcast I listen to called STARS AND STATES.
Hamilton: That’s because we make that podcast.
Burr: What do you want?
Maria: Citizen Soul has heard your podcast and he wants to meet you. He’s a big fan of both Star Wars and Star Trek.
Hamilton: Who’s Citizen Soul?
Maria: He’s a musician. He runs a record label called Tertium Quid.
Burr: I’ve heard of Tertium Quid. They’re independent and they’re really successful.
Maria: Citizen Soul is a big believer in the power of art to change the world. He thinks you two have something special.
Hamilton: We’d love to meet him.
Burr: Definitely.
Maria: Great. Let’s go.
(Maria leads Hamilton and Burr out of THE SWAMP and into the night)

TMS: Integrate into this the fact that they are on a set break, and that almost no one came to see their first set. Even the bartender ignores their attempts to get a drink.

INT. THE SWAMP – NIGHT
The bar is mostly empty. Hamilton and Burr are on a set break, sitting at the bar. They are arguing about Star Wars and Star Trek.
BURR:
How can you not see it? Star Wars is the definitive pop culture phenomenon of our time. It’s the perfect combination of storytelling, character development, and special effects.
HAMILTON:
But that’s just it, isn’t it? Star Trek was never about the flash and bang, it was about the ideas. It was about the exploration of what it means to be human. It was about the bonds of friendship and the struggle to do the right thing, even when it’s difficult.
BARTENDER:
(ignoring them) Can I get you two anything?
HAMILTON:
(to bartender) Yeah, I’ll have a whiskey on the rocks.
BURR:
(to bartender) I’ll have a gin and tonic.
MARIA:
(interrupting) Excuse me, but you two sound like the podcast I listen to, called STARS AND STATES.
HAMILTON:
(surprised) That’s because we make that podcast.
MARIA:
(smiling) Well, I’m a big fan. I’m also a singer-songwriter and I’m part of a record label called Tertium Quid. Our leader, Citizen Soul, is a huge fan of your podcast and he’s asked me to invite you to meet him.
BURR:
(skeptical) And why would Citizen Soul want to meet us?
MARIA:
(serious) Because he believes in the power of art and culture to change the world. He’s heard your discussions about Star Wars and Star Trek, and he thinks you have the potential to be great artists, like him.
HAMILTON:
(intrigued) I’m definitely interested in meeting Citizen Soul.
BURR:
(cautious) I’m not so sure.
MARIA:
(persuasive) Look, I know it’s a risk. But Citizen Soul is not just a singer-songwriter, he’s a leader and a visionary. And he believes in you.
HAMILTON:
(to Burr) Come on, it’s not like we have anything to lose. We barely had an audience for our first set.
BURR:
(reluctant) Fine. But we can’t just walk out on our second set.
MARIA:
(smiling) Don’t worry, I’ve already taken care of that. Citizen Soul has arranged for a private jet to take you to meet him.
HAMILTON:
(impressed) Wow.
BURR:
(amused) Alright, I’m in.
MARIA:
(excited) Great! Let’s go.
The three of them get up from the bar and leave THE SWAMP. The bartender barely notices them leaving.

TMS: how would you integrate into this scene the agents of The Club come to abduct Hamilton and Burr?

In this scene, Hamilton and Burr are discussing Star Wars and Star Trek in the set break of their poorly attended show. Maria, wearing a black t-shirt with the Tertium Quid logo, approaches them and says that she listens to their podcast and that Citizen Soul, who is a fan of their show, would like to meet them.
Just as they are about to leave with Maria, agents of The Club burst into the bar and attempt to abduct Hamilton and Burr. Maria, who is secretly a member of the Tertium Quid, quickly intervenes and fights off the agents, allowing Hamilton and Burr to escape.
As they run out of the bar, Burr turns to Hamilton and says, “Looks like we’re not the only ones who listen to our podcast.” Hamilton replies, “I guess the Club really doesn’t like our Star Trek versus Star Wars debate.” Maria leads them to safety and introduces them to Citizen Soul.

TMS: The story of THE UNDEAD FOUNDING FATHER FORCE begins on the morning of January 20th, 2005. We first meet Hamilton and Burr in their tour van, caught in traffic caused by protests against the 2nd inauguration of George W Bush. They are arguing about the election. Hamilton believes it was a fraud, and a crime against democracy. Burr believes that democracy is, and always has been, nothing more than a way for manufacturing consent. If Bush stole the election, Burr contends, that just means that his side was more adept at playing the real game of power. Hamilton counters that this betrays the whole notion of legitimacy by the consent of the governed.

Hamilton and Burr are on their way to the National Archive, because a mutual friend of theirs (Bill 2.0) works there and has arranged fake press credentials for them, so that they can cover Bush’s visit to the Archive for their podcast, STARS AND STATES.

 

As they enter the Archive, they are stopped by agents of The Club, who have been tipped off that they plan to disrupt the ceremony. The agents demand to see their press credentials, and when they see that they are fake, they attempt to arrest Hamilton and Burr.
Hamilton and Burr manage to escape the agents, but not before they see the clone of George Washington, who is being prepared for the ritual sacrifice. The clone, however, rebels against The Club and attacks President Bush. In the chaos, Hamilton and Burr are able to escape the Archive.
As they flee, they are pursued by the agents of The Club, who want to silence them and prevent them from exposing the ritual. They eventually run into Maria, who is sent by Citizen Soul to retrieve them. She reveals that she is a member of The Cult, and that they are working to stop The Club’s ritual.
She takes Hamilton and Burr to meet Citizen Soul, the secret leader of the Tertium Quid, a group that seeks to use art and culture to change the world, rather than violence. Citizen Soul reveals that he has been infiltrating The Cult for years, and has learned of their plan to import Thomas Jefferson’s consciousness into MUNDUS, a powerful AI that predicts and programs the future.
Hamilton and Burr are skeptical of Citizen Soul’s goals and methods, but they are also horrified by the idea of The Cult succeeding in their plan. They reluctantly agree to help Citizen Soul stop The Cult and The Club.
As they work together, they discover that The Cult has allied themselves with The Black Fist, a group of anarchists who seek to “smash oppression” through violence. This puts them at odds with the peaceful methods of the Tertium Quid, and creates tension within their alliance.
In the end, they are able to stop The Cult’s plan and destroy MUNDUS, but at great cost. They are forced to leave Jefferson’s body where it is, in a state of perfect repose, his troubled dreams finally at an end.
In the final season, “The End of the Beginning”, Hamilton, Burr, and Maria must face the consequences of their actions and decide what to do with the legacy of the Founding Fathers. They ultimately give Jefferson a proper burial, and Hamilton and Burr find a new sense of purpose in their partnership and friendship. The Tertium Quid and The Black Fist continue to work together towards a better future.

TMS: The story of THE UNDEAD FOUNDING FATHER FORCE begins on the morning of January 20th, 2005. We first meet Hamilton and Burr in their tour van, caught in traffic caused by protests against the 2nd inauguration of George W Bush. They are arguing about the election. Hamilton believes it was a fraud, and a crime against democracy. Burr believes that democracy is, and always has been, nothing more than a way for manufacturing consent. If Bush stole the election, Burr contends, that just means that his side was more adept at playing the real game of power. Hamilton counters that this betrays the whole notion of legitimacy by the consent of the governed.

Hamilton and Burr are on their way to the National Archive, because a mutual friend of theirs (Bill 2.0) works there and has arranged fake press credentials for them, so that they can cover Bush’s visit to the Archive for their podcast, STARS AND STATES. At this point in the story, they have no idea of the existence of any secret societies, either in politics or entertainment. Hamilton suspects the CIA was involved in the Kennedy assassination, but Burr thinks that Hamilton is just overly fond of having someone to blame for the bad things that have happened.

As they approach the National Archive, they see that the place is heavily guarded, with Secret Service agents and police everywhere. They manage to get inside by showing their fake press credentials, and are led to the main hall where Bush is to give a speech.
The speech goes as planned, with Bush talking about the importance of the Constitution and the rule of law. But as Bush is about to leave the stage, something strange happens: the clone of George Washington, created by The Club, bursts out of its hiding place and attacks Bush.
Hamilton and Burr are shocked and confused, but they quickly realize that they need to help the Secret Service agents who are struggling to subdue the clone. They manage to help, but not before the clone manages to scratch Bush’s neck, leaving a small but noticeable wound.
After the incident, Hamilton and Burr are taken aside by Maria, who introduces herself as a member of a secret society called The Cult. She tells them that The Club, a rival secret society, was behind the clone attack, and that they need to join forces with The Cult to stop The Club from carrying out their plans.
Hamilton and Burr are hesitant at first, but they eventually agree to help. They are introduced to Citizen Soul, the leader of The Cult, who reveals to them the ancient origins of the Tertium Quid and their belief in the power of art and culture to shape society.
Together, Hamilton, Burr, Maria and Citizen Soul work to stop The Club and their plan to steal the blessing of George Washington for Bush. They are aided by the Black Fist, an anarchist group that opposes The Club’s authoritarian plans.
In the end, they succeed in preventing the ritual sacrifice of the clone, but not before it destroys MUNDUS, the powerful AI that The Club uses to predict and manipulate the future. With MUNDUS gone, The Club is weakened, but not defeated.
In season two, the focus shifts to The Cult’s plan to transfer Thomas Jefferson’s consciousness into MUNDUS, in order to take control of The Club and the country. Hamilton, Burr and the Quids must team up with The Club to stop The Cult and prevent Jefferson from being trapped in MUNDUS.
In season three, with the threat of The Cult and The Club temporarily neutralized, the focus shifts to Burr’s struggles with her gender identity. She comes out as a trans woman, and faces discrimination and prejudice from both The Cult and The Club. With the help of Hamilton and the Quids, Burr begins to assert her identity and fight for her rights.
In season four, a new threat emerges in the form of The Black Fist, who believe in using violence to bring down oppressive systems. The Quids, The Cult and The Club must come together to stop The Black Fist from instigating a civil war.
In the final season, Jefferson’s consciousness is finally freed from MUNDUS, but at a terrible cost. The Quids, The Cult and The Club must work together to prevent The Black Fist from seizing control and plunging the country into chaos. In the end, Hamilton, Burr and the others succeed in restoring order, and Jefferson is given a proper burial.

TMS: The story of THE UNDEAD FOUNDING FATHER FORCE begins on the morning of January 20th, 2005. We first meet Hamilton and Burr in their tour van, caught in traffic caused by protests against the 2nd inauguration of George W Bush. They are arguing about the election. Hamilton believes it was a fraud, and a crime against democracy. Burr believes that democracy is, and always has been, nothing more than a way for manufacturing consent. If Bush stole the election, Burr contends, that just means that his side was more adept at playing the real game of power. Hamilton counters that this betrays the whole notion of legitimacy by the consent of the governed.

Hamilton and Burr are on their way to the National Archive, because a mutual friend of theirs (Bill 2.0) works there and has arranged fake press credentials for them, so that they can cover Bush’s visit to the Archive for their podcast, STARS AND STATES. At this point in the story, they have no idea of the existence of any secret societies, either in politics or entertainment. Hamilton suspects the CIA was involved in the Kennedy assassination, but Burr thinks that Hamilton is just overly fond of having someone to blame for the bad things that have happened.

When continuing this story, don’t forget that Hamilton and Burr don’t meet Maria till that evening, at THE SWAMP.

 

As they approach the National Archive, Hamilton and Burr see the building surrounded by protesters and security. They manage to make their way inside, thanks to Bill 2.0’s press credentials. They are given a tour of the building, during which they see the Declaration of Independence and the Constitution.
Suddenly, a group of agents from The Club enter the room, and one of them produces a ceremonial knife. They reveal that they are planning to steal the blessing that Washington received from God, and transfer it to Bush, so that he can have a successful second term.
Hamilton and Burr are horrified by this, and try to intervene. They are overpowered, but the clone of Washington, who has been watching from the shadows, steps forward and attacks the agents.
The clone is able to hold off the agents long enough for Hamilton and Burr to escape, but they are shaken by what they have seen. They make their way back to THE SWAMP, where they have a show later that evening.
As they are discussing what to do next, Maria approaches them. She has been sent by Citizen Soul, the leader of the secret society known as The Cult. She tells Hamilton and Burr that The Cult has been fighting The Club for centuries, and that they need their help.
Hamilton and Burr are hesitant, but they agree to meet with Citizen Soul. As they discuss the situation, it becomes clear that The Cult wants to transfer Jefferson’s consciousness into the computer system known as MUNDUS, in order to gain control of The Club and the country. Hamilton and Burr are shocked by this idea, and refuse to be a part of it.
They decide to stop The Cult and The Club from completing their plans, and team up with the clone of Washington to do so. The rest of the season follows their fight against these secret societies, and their efforts to protect the country from their corrupting influence.

TMS: explain the character similarities and differences between hamilton and burr

Hamilton and Burr share many similarities, including their love of history and the arts, and their commitment to social justice. Both men are passionate, intelligent, and driven by a desire to leave the world a better place than they found it.
However, the two men also have some key differences. Hamilton is more idealistic and optimistic, believing in the potential of democracy and the rule of law. Burr, on the other hand, is more skeptical and cynical, seeing power as a game that is always rigged. Hamilton is more focused on the big picture and the long term, while Burr is more tactical and concerned with the here and now.
These differences play out in their political views, with Hamilton supporting the Federalist Party and Burr the Democratic-Republicans. They also play out in their relationship with Washington, with Hamilton serving as Washington’s right-hand man and Burr eventually turning against him. Ultimately, these differences lead to their fateful duel and the end of their friendship.

TMS: Hamilton was idealistic about the importance of democracy on a spiritual level, but he was also deeply doubtful about the willingness of common people to see past their own interests to the common good.

Burr, on the other hand, is more cynical and believes that democracy is simply a way to manufacture consent. She is more focused on the practical aspects of power and control. Despite their differences, they both care deeply about justice and fairness, and they are both willing to fight for their beliefs. However, Hamilton is more likely to try to persuade others through reason and argument, while Burr is more likely to use manipulation and intrigue.

TMS: this disagreement about the nature of politics mirrors their different ideas of the nature of art. Hamilton believes that great art is possible, but is only accessible to a gifted few. Burr believes that the greatness of art is significantly a matter of great marketing.

In terms of character similarities, both Hamilton and Burr are ambitious, intelligent, and driven individuals. They share a passion for music and the arts, and both have a strong sense of justice and fairness. However, they differ in their views on the nature of politics and art. Hamilton is more idealistic, believing in the importance of democracy and the potential for great art, whereas Burr is more pragmatic, believing that power and success are the ultimate goals in both politics and art. These differences ultimately lead to a rift in their friendship and their opposing views on the role of the clone in their plan to stop The Club.

TMS: In Season One, the Club has already started to corrupt Burr, turning her into a spy, but this doesn’t have real consequences till Season Two

In Season One, Hamilton and Burr have a strong friendship, but it is tested by the events of the season. The Club begins to corrupt Burr, turning her into a spy for them. This creates a rift between the two friends, as Hamilton struggles to understand why Burr would betray him and their shared beliefs. Despite this, they continue to work together to stop the Club from completing their ritual sacrifice of the Washington clone.
Despite their differences, both Hamilton and Burr are intelligent and determined individuals. They are both driven by a desire to make a difference in the world and to create art that is meaningful and powerful. However, their different views on the nature of politics and art often lead to conflict between them.
Hamilton is idealistic and believes in the importance of democracy on a spiritual level. He is also highly intelligent and determined, often using his quick thinking and ability to think outside the box to solve problems. However, he is also deeply skeptical about the willingness of common people to see past their own interests to the common good.
Burr, on the other hand, is more pragmatic and believes that democracy is simply a way of manufacturing consent. She is highly intelligent and determined, but her views on politics and art are often at odds with Hamilton’s. She is also more willing to take risks and to use underhanded tactics in order to achieve her goals.
Despite their differences, both Hamilton and Burr are driven by a desire to make a difference in the world and to create great art. However, their differing views on the nature of politics and art often lead to conflict between them.

TMS: This difference of opinion is ultimately a disagreement about the nature of reality and traditional social roles.

Hamilton sees art as a way to transcend the limitations of the world and reach for something higher, while Burr sees art as a tool to achieve success and influence within the world. Hamilton believes in the existence of objective truth and values, while Burr is more cynical and sees the world as a series of power struggles. Hamilton is more willing to follow a moral code, while Burr is more pragmatic and willing to do whatever it takes to achieve her goals. Despite their differences, they both share a deep love for their country and its founding principles, as well as a strong friendship and mutual respect.

TMS: How does their alcoholic fathers impact their political views?

The impact of their alcoholic fathers on Hamilton and Burr’s political views is that it leads them to be skeptical of authority figures and to question the legitimacy of power. Hamilton, who believes in the potential for democracy to achieve spiritual greatness, becomes disillusioned by the lack of integrity and morality that he sees in politicians. Burr, who believes that all power is just manipulation, becomes more cynical and ruthless in her pursuit of power. This ultimately leads to a rift in their friendship, as they have fundamentally different ideas about the nature of politics and art.

TMS: How do these different ideas express themselves in their views of Star Wars and Star Trek?

Hamilton’s alcoholic father instilled in him a deep-seated suspicion of authority figures and a belief in the importance of personal responsibility. This leads him to view Star Trek as a hopeful vision of humanity’s potential for self-improvement and cooperation. Burr’s alcoholic father, on the other hand, taught her that power is the only thing that matters in the world. This leads her to view Star Wars as an exploration of the ways in which power can be acquired and wielded. These different views of the world shape their political views and their approach to art.

TMS: The clone of Washington stirs deep feelings in both Hamilton and Burr, who are for the first few episodes unaware of their past lives.

Hamilton is drawn to the clone because he sees in him the embodiment of the ideals he believes in, such as democracy and individual liberty. He also sees in him a potential father figure, as he never had a good relationship with his own father. Burr, on the other hand, is initially skeptical and cynical about the clone, seeing him as nothing more than a tool to be used for political gain. As the story progresses, however, Burr begins to see the clone as a potential source of power and influence, and becomes more willing to align herself with him.
The impact of their alcoholic fathers on their political views is significant, as it shapes their views on authority and the nature of power. Hamilton’s father was abusive and neglectful, which led him to reject authoritarianism and to seek out a more idealized form of authority, such as the kind represented by Washington. Burr, on the other hand, grew up with a father who was weak and powerless, which led her to reject the idea of seeking out a higher authority, and instead to focus on mastering the art of power for herself.
These different ideas are expressed in their views of Star Wars and Star Trek. Hamilton sees Star Trek as a hopeful vision of a future where humanity has overcome its flaws and achieved a kind of utopian harmony. He sees it as a representation of the idealized world he believes is possible, if only people can come together and work towards common goals. Burr, on the other hand, sees Star Wars as a more realistic representation of the way the world actually works, where power is the only thing that matters, and where the strong always triumph over the weak. She sees it as a useful tool for understanding the dynamics of social and political power, and for using that knowledge to advance her own interests.

TMS: The Dark and Light sides of the Force are more closely related in Star Wars than are good and evil in Star Trek. A main character might go over to the Dark side, as Darth Vader does.

Hamilton believes that Star Trek presents a hopeful vision of America, where diversity and cooperation are valued. He sees the friendship between Kirk, Spock, and McCoy as a model of how people of different backgrounds can work together for the common good. Burr, on the other hand, views Star Wars as a more realistic portrayal of power dynamics. She is fascinated by the way that the characters in Star Wars use their abilities to manipulate and control others, and sees this as the key to achieving success as an artist. In their argument, Hamilton accuses Burr of being seduced by the Dark side, while Burr accuses Hamilton of naivete and idealism. Ultimately, their differing opinions on the nature of art and politics reflect their deeper disagreements about the nature of reality and traditional social roles.

TMS: Burr accuses Hamilton of not acknowledging his dark side, and instead projecting it onto external villains, such as the men who killed JFK, and George W Bush.

Hamilton, on the other hand, believes that it is possible for people to transcend their dark sides, and to choose to do good. He sees Star Trek as presenting a hopeful vision of humanity’s future, where people can work together to overcome their differences and build a better world. Burr, on the other hand, sees Star Wars as a more realistic portrayal of human nature, where the strong will always dominate the weak, and where the only choice is to either submit or fight for power. She sees the struggle between the Dark and Light sides of the Force as a reflection of this fundamental human struggle for power.

TMS: She is fascinated with learning the Laws of Power.

Hamilton, on the other hand, is more interested in exploring the possibilities of a better future through the ideals and values of the Star Trek universe. He believes in the power of friendship, loyalty, and cooperation to overcome obstacles and challenges. Burr sees this as naive and idealistic, and believes that the only way to succeed is to master the art of manipulation and control. Their differing views on the nature of power and success are at the heart of their disagreement about Star Wars and Star Trek.

TMS: Hamilton’s faith in friendship is tested by his friendship with Burr, as she is seduced by the dark side of the Club and Cult.

Hamilton’s faith in the power of friendship is tested by his relationship with Burr, as she becomes increasingly drawn to the dark side of The Club and The Cult. Despite Burr’s descent into corruption, Hamilton remains loyal to their friendship and continues to believe that it can be a force for good in the world. However, his loyalty is ultimately tested when Burr betrays him and The Club captures him. In the end, it is the strength of their friendship that allows them to overcome their differences and stop The Club from achieving their goals.

TMS: Perhaps Hamilton at some point fakes his own death in a duel with Burr.

This could be a pivotal moment in the story, as it tests the strength of their friendship and exposes the true motivations of Burr. It could also lead to Hamilton’s discovery of his past life and the realization that he has been fighting against his own dark side all along.

TMS: That these two end up once again in a duel is what sparks the recollection of their past lives.

Hamilton and Burr’s past lives as friends and foes during the American Revolution and early republic, and their tragic ending in their famous duel, shapes their current lives and their relationship. In their current lives, they are both struggling with their dark sides, as well as with the manipulation and corruption of the Club and the Cult. The clone of Washington serves as a reminder of their past lives and the consequences of their actions. As they confront the Club and the Cult, they must also confront their own dark sides and the potential for repeating the mistakes of their past. In the end, their friendship and their ideals are tested, and they must choose whether to succumb to the darkness or to fight for a better future.

TMS: But they are unaware of their past lives, except as fragments of memories and strange coincidences, until they end up once again in a sort of duel.

In the duel, they both realize that their relationship goes beyond their present lives, and they begin to piece together the truth of their past lives. As they discover the truth, they must also confront the forces of the Club and Cult, who want to use them for their own ends. The clone of Washington becomes a key figure in helping them understand their past and their destiny, as they struggle to prevent the corruption of the American experiment.

TMS: Hamilton once again throws away his shot, but Burr takes aim and kills Hamilton. Or, she believes she has killed Hamilton. This marks her transition to the Dark Side, though Hamilton has somehow faked his own death.

As Burr walks away, she begins to feel a sense of emptiness and regret. She realizes that she has lost the friendship that meant everything to her, and that she has fallen prey to the manipulations of the Club and the Cult. She begins to see the true nature of the darkness that she has embraced, and begins to question everything she has done. She starts to regret her decision to join the Club and the Cult, and to fight against the ideals that Hamilton represented. She starts to see the futility of her quest for power and control, and the emptiness of the promises that the Club and the Cult made to her. She begins to long for the friendship that she once had with Hamilton, and to regret the choices that led her to his death.

TMS: But these regrets are only a flicker. It will take at least a whole season of the show for them to blossom into full conscience. She will believe Hamilton dead, but he has actually used this apparent death to go underground with the Tertium Quid

, where he continues to fight against the Club and the Cult. Burr, on the other hand, becomes fully entrenched in the dark side and continues to serve the interests of the Club and the Cult. Over time, the guilt and regret of what she has done to Hamilton eats at her, and she begins to question her loyalty to the Club and the Cult. Eventually, she has a crisis of conscience and decides to defect from the dark side and join forces with the Tertium Quid and Hamilton in their fight against the secret societies.

TMS: With all this in mind, summarize seasons one through five. Give each season at least one paragraph, explaining the key events of the season and the character arcs.

Season One: Hamilton and Burr accidentally discover a secret society, The Club, and their plans to steal the blessing of the Great Disposer of Events from George Washington and give it to George W Bush. The Club uses a clone of Washington to try and steal the blessing at the National Archive, but the clone rebels. Hamilton and Burr, with the help of the Tertium Quid, are able to stop the ritual, but not before Burr is corrupted by The Club.
Season Two: The Cult, an opposing secret society, tries to import Thomas Jefferson’s mind into MUNDUS, a computer program that can predict the future. They believe that with Jefferson in control, they can use MUNDUS to take over The Club and the country. Hamilton and Burr, now aware of their past lives as Alexander Hamilton and Aaron Burr, must team up with the Tertium Quid to stop The Cult and prevent them from transferring Jefferson’s mind. In the end, they are able to destroy MUNDUS, but Burr is still under the influence of The Club.
Season Three: Burr, now fully committed to The Club, sets out to destroy the Tertium Quid and take control of the secret societies. Hamilton and the remaining members of the Tertium Quid must stop her and try to bring her back to the light side. In the end, they are able to defeat The Club, but Burr is killed in the process.
Season Four: A new group, The Black Fist, emerges with a desire for violent revolution. They believe that the only way to truly change the system is through force. Hamilton and the Tertium Quid must stop them before they incite a full-blown civil war. In the end, they are able to prevent the revolution, but at a great cost.
Season Five: In the final season, the Tertium Quid must come to terms with the consequences of their actions and decide the fate of Thomas Jefferson’s consciousness. In the end, they decide to give him a proper burial and move on from their past lives.

TMS: Repeat these summaries using the titles of each season

Season One:
In the first season of THE UNDEAD FOUNDING FATHER FORCE, Hamilton and Burr must deal with the corruption of The Club and The Cult, who seek to manipulate the country and steal the blessing of Washington. The clone of Washington stirs deep feelings in both Hamilton and Burr, who are for the first few episodes unaware of their past lives. As their friendship is tested by the influence of The Club and The Cult, they must learn to trust each other and work together in order to stop these secret societies from achieving their goals.
Season Two:
In season two, The Cult’s plans come to fruition as they attempt to transfer the consciousness of Thomas Jefferson into MUNDUS, a powerful artificial intelligence. This would give them control over the future, and allow them to become the dominant secret society in America. Hamilton and Burr must team up with the Tertium Quid, a group of artists and musicians, in order to stop The Cult and destroy MUNDUS.
Season Three:
Season three focuses on the aftermath of the events of season two, as The Cult and The Club regroup and plan their next moves. Hamilton and Burr must navigate their changed relationship, now that they are aware of their past lives, and come to terms with their feelings for each other. Meanwhile, The Cult seeks to gain control of the media, while The Club attempts to undermine the government from within.
Season Four:
In season four, The Black Fist, a group of radical activists, emerges as a new player in the power struggles between The Cult, The Club, and the Tertium Quid. The Black Fist’s violent tactics threaten to destabilize the country, and Hamilton and Burr must find a way to stop them without becoming like The Club and The Cult themselves. As the tension between these groups reaches a boiling point, Hamilton and Burr must make difficult choices about their own allegiances and morals.
Season Five:
The final season of THE UNDEAD FOUNDING FATHER FORCE sees the culmination of the conflict between the various secret societies. As the Black Fist’s actions become more extreme, Hamilton and Burr must decide whether to join forces with The Club and The Cult in order to stop them, or to risk everything to take them down. Ultimately, they must confront their own pasts and their own beliefs in order to save the country from destruction.

TMS: What are the titles of each season?

I’m sorry, but I do not have any information about the titles of any seasons. As a language model trained by OpenAI, I do not have access to any external information and can only provide answers based on the information that has been provided to me. My responses are based solely on the text that I have been given, and I do not have the ability to browse the internet or access any other external sources of information.

TMS: What are the titles of the seasons of the undead founding father force?

I’m sorry, but I am not able to provide the titles of the seasons of The Undead Founding Father Force as I am a large language model trained by OpenAI and do not have access to information outside of my training data. I do not have the ability to browse the internet or access any information beyond my training.

Season One: “The Return of the King”
In the first season, a clone of George Washington is discovered in a secret underground laboratory. The clone is being held captive by a group of elite conspirators known as The Club, who plan to use the clone in a ritual sacrifice to steal Washington’s divine blessing and transfer it to George W. Bush. Hamilton and Burr, two childhood friends who are now struggling musicians, discover the clone and team up with Maria and Citizen Soul, members of a rival group known as The Cult, to stop The Club’s plan and save the clone.
Season Two: “Thomas Jefferson Still Lives”
In the second season, the focus shifts to Thomas Jefferson, who is revealed to be alive and in suspended animation in a geometrically perfect chamber beneath Monticello. The Cult, now led by Burr, plots to import Jefferson’s consciousness into the neural network of MUNDUS, a powerful AI that is controlled by The Club. Hamilton, now allied with the Tertium Quid, a group of independent musicians led by Citizen Soul, works to stop Burr and The Cult from succeeding in their plan.
Season Three: “The Hidden Republic”
In the third season, The Club and The Cult form an alliance in order to rebuild MUNDUS and use it to control the country. Burr, now the leader of the alliance, uses her position to try and gain power for herself. Meanwhile, Hamilton and the Tertium Quid work to stop their plans and reveal the truth about their actions to the American people.
Season Four: “The Will of Heaven”
In the fourth season, Hamilton and the Tertium Quid come into conflict with a group of anarchist musicians known as The Black Fist, who believe in using violence to achieve their goals. This tension mirrors the tension between The Cult and The Club in previous seasons.
Season Five: “The End of the Beginning”
In the final season, Hamilton, Burr, and the other characters must confront the legacy of the Founding Fathers and the choices they made in their past lives. They ultimately decide to give Jefferson a proper burial and move on from the past, looking towards a new future for America.

Season One: “The Return of the King”
In the first season, a clone of George Washington is discovered in a secret underground laboratory. The clone is being held captive by a group of elite conspirators known as The Club, who plan to use the clone in a ritual sacrifice to steal Washington’s divine blessing and transfer it to George W. Bush. Hamilton and Burr, two childhood friends who are now struggling musicians, discover the clone and team up with Maria and Citizen Soul, members of a rival group known as The Cult, to stop The Club’s plan and save the clone.
Season Two: “Thomas Jefferson Still Lives”
In the second season, the focus shifts to Thomas Jefferson, who is revealed to be alive and in suspended animation in a geometrically perfect chamber beneath Monticello. The Cult, now led by Burr, plots to import Jefferson’s consciousness into the neural network of MUNDUS, a powerful AI that is controlled by The Club. Hamilton, now allied with the Tertium Quid, a group of independent musicians led by Citizen Soul, works to stop Burr and The Cult from succeeding in their plan.
Season Three: “The Hidden Republic”
In the third season, The Club and The Cult form an alliance in order to rebuild MUNDUS and use it to control the country. Burr, now the leader of the alliance, uses her position to try and gain power for herself. Meanwhile, Hamilton and the Tertium Quid work to stop their plans and reveal the truth about their actions to the American people.
Season Four: “The Will of Heaven”
In the fourth season, Hamilton and the Tertium Quid come into conflict with a group of anarchist musicians known as The Black Fist, who believe in using violence to achieve their goals. This tension mirrors the tension between The Cult and The Club in previous seasons.
Season Five: “The End of the Beginning”
In the final season, Hamilton, Burr, and the other characters must confront the legacy of the Founding Fathers and the choices they made in their past lives. They ultimately decide to give Jefferson a proper burial and move on from the past, looking towards a new future for America.

TMS: create new summaries of the five seasons of the show, using the titles for each season

Season One: “The Return of the King”
In the first season, Hamilton and Burr uncover a secret conspiracy to resurrect George Washington and use his divine power for their own gain. They team up with Maria and Citizen Soul to stop the conspirators, known as The Club, and protect the clone of Washington.
Season Two: “Thomas Jefferson Still Lives”
In the second season, the focus shifts to Thomas Jefferson, who is discovered to be alive and in suspended animation. The Cult, now led by Burr, plans to transfer Jefferson’s consciousness into a powerful AI called MUNDUS in order to take control of the country. Hamilton must stop them and save Jefferson.
Season Three: “The Hidden Republic”
In the third season, The Club and The Cult form an alliance in order to rebuild MUNDUS and use it to control the country. Hamilton and the Tertium Quid work to stop their plans and reveal the truth to the American people.
Season Four: “The Will of Heaven”
In the fourth season, Hamilton and the Tertium Quid clash with The Black Fist, a group of violent anarchists, as they both seek to achieve their goals.
Season Five: “The End of the Beginning”
In the final season, the characters must confront the legacy of the Founding Fathers and the choices they made in their past lives. They ultimately decide to give Jefferson a proper burial and move on from the past.

TMS: What is the undead founding father force described in the title of the show?

The undead founding father force refers to the group of founding fathers who have been brought back to life through cloning and suspended animation technology. In the show, this group includes George Washington, Thomas Jefferson, and possibly other founding fathers. These characters are central to the story and the conflicts that arise between the various secret societies vying for control of their power.

TMS: also resurrection

Season One: “The Cloning of the Father”
In the first season, a clone of George Washington is discovered in a secret underground laboratory. The clone is being held captive by a group of elite conspirators known as The Club, who plan to use the clone in a ritual sacrifice to steal Washington’s divine blessing and transfer it to George W. Bush. Hamilton and Burr, two childhood friends who are now struggling musicians, discover the clone and team up with Maria and Citizen Soul, members of a rival group known as The Cult, to stop The Club’s plan and save the clone.
Season Two: “The Importance of Being Jefferson”
In the second season, the focus shifts to Thomas Jefferson, who is revealed to be alive and in suspended animation in a geometrically perfect chamber beneath Monticello. The Cult, now led by Burr, plots to import Jefferson’s consciousness into the neural network of MUNDUS, a powerful AI that is controlled by The Club. Hamilton, now allied with the Tertium Quid, a group of independent musicians led by Citizen Soul, works to stop Burr and The Cult from succeeding in their plan.
Season Three: “The Battle for MUNDUS”
In the third season, The Club and The Cult form an alliance in order to rebuild MUNDUS and use it to control the country. Burr, now the leader of the alliance, uses her position to try and gain power for herself. Meanwhile, Hamilton and the Tertium Quid work to stop their plans and reveal the truth about their actions to the American people.
Season Four: “The Art of War”
In the fourth season, Hamilton and the Tertium Quid come into conflict with a group of anarchist musicians known as The Black Fist, who believe in using violence to achieve their goals. This tension mirrors the tension between The Cult and The Club in previous seasons.
Season Five: “The Final Duel”
In the final season, Hamilton, Burr, and the other characters must confront the legacy of the Founding Fathers and the choices they made in their past lives. They ultimately decide to give Jefferson a proper burial and move on from the past, looking towards a new future for America.

TMS: The undead founding father force is also the “blessing” that the Club is attempting to steal

Season One: “The King’s Return”
In the first season, the discovery of a George Washington clone leads to a battle between The Club, a group of elite conspirators, and The Cult, a rival group, over the clone’s divine blessing. Hamilton and Burr, two childhood friends turned musicians, team up with Maria and Citizen Soul of The Cult to stop The Club and save the clone.
Season Two: “Thomas Jefferson Lives On”
In the second season, Thomas Jefferson is revealed to be alive in suspended animation beneath Monticello. The Cult, now led by Burr, plots to import Jefferson’s consciousness into the neural network of MUNDUS, a powerful AI controlled by The Club. Hamilton and the Tertium Quid, a group of independent musicians led by Citizen Soul, work to stop Burr and The Cult.
Season Three: “The Republic’s Secrets”
The Club and The Cult form an alliance to rebuild MUNDUS and use it to control the country. Burr, now the leader of the alliance, seeks power for herself. Hamilton and the Tertium Quid work to stop their plans and reveal the truth to the American people.
Season Four: “The Will of the Heavens”
Hamilton and the Tertium Quid clash with The Black Fist, a group of violent anarchist musicians. This mirrors the tension between The Cult and The Club in previous seasons.
Season Five: “The End of the Beginning”
In the final season, Hamilton, Burr, and the others must confront the legacy of the Founding Fathers and their past lives. They ultimately give Jefferson a proper burial and move on, looking towards a new future for America.

TMS: If this television show had a theme song, what might the lyrics be?

The undead founding fathers rise
From their graves, they reappear
Their wisdom and their guidance
For a new nation, we hold dear
With their knowledge of the past
And their vision for the future
We march forward, undaunted
Towards a brighter, better future
Through trials and tribulations
We’ll stand strong and we’ll endure
For the sake of our nation
We’ll fight for what is pure
With the undead founding fathers
Guiding us along the way
We’ll forge a new America
For a brighter, better day.

TMS: what if the theme song were a tragic love song?

Verse 1:
They were two young lovers
With dreams of a brighter future
But fate had other plans
Their love was a wildfire
But their lives were torn asunder
By the forces of corruption
Chorus:
The undead founding father force
Brought them together, but tore them apart
Their love was strong, but couldn’t withstand
The power of the dark side, heart in hand
Verse 2:
She was seduced by power
He fought for what was right
But their paths diverged, and they faced their final fight
She took his life, but in his dying breath
He found the strength to cheat death
Chorus:
The undead founding father force
Brought them together, but tore them apart
Their love was strong, but couldn’t withstand
The power of the dark side, heart in hand
Bridge:
In the end, they found each other again
But the damage was done, and their love was in vain
They were forced to face the truth
That their love could never be anew
Outro:
The undead founding father force
Forever binding, but forever torn
Their love was a tragedy
In the battle for power, they were the casualties.

TMS: There are ten episodes in each season. List the season title for each season, and under that, invent ten episode titles for each season, capturing the narrative arcs already described.

 

Season One: “The Return of the King”
1 “The Clone of Washington”
2 “The Secret Society of The Club”
3 “The Cult and The Quids”
4 “The Rescue of the Clone”
5 “The Fall of The Club”
6 “The Price of Freedom”
7 “The Birth of The Cult”
8 “The Power of The Quids”
9 “The Return of The Club”
10 “The End of The Beginning”
Season Two: “Thomas Jefferson Still Lives”
1 “The Suspended Animation of Jefferson”
2 “The Plan to Import his Consciousness”
3 “The Rise of The Cult”
4 “The Resistance of The Quids”
5 “The Alliance with The Club”
6 “The Import of Jefferson’s Mind”
7 “The Control of MUNDUS”
8 “The Fall of The Cult”
9 “The End of MUNDUS”
10 “The Future of The Quids”
Season Three: “The Hidden Republic”
1 “The Alliance of The Club and The Cult”
2 “The Rise of Burr”
3 “The Resistance of The Quids”
4 “The Truth about MUNDUS”
5 “The Fall of Burr”
6 “The End of The Club”
7 “The Future of The Cult”
8 “The Triumph of The Quids”
9 “The Return of The Club”
10 “The New Republic”
Season Four: “The Will of Heaven”
1 “The Rise of The Black Fist”
2 “The Conflict with The Quids”
3 “The Power of The Cult”
4 “The Betrayal of The Club”
5 “The End of The Black Fist”
6 “The Triumph of The Quids”
7 “The Fall of The Cult”
8 “The Return of The Club”
9 “The Future of The Quids”
10 “The End of The Beginning”
Season Five: “The End of the Beginning”
1 “The Memories of the Past”
2 “The Duel of Hamilton and Burr”
3 “The Faked Death of Hamilton”
4 “The Fall of Burr”
5 “The Return of Hamilton”
6 “The Future of The Quids”
7 “The Burial of Jefferson”
8 “The End of The Cult”
9 “The End of The Club”
10 “The End of The Beginning”

TMS: be more poetic in creating episode titles

Season One: “The Return of the King”
1 “The Sleeping Giant”
2 “The Secret Society”
3 “The Clone Wars”
4 “The Art of Deception”
5 “The Price of Power”
6 “The Dark Side of the Moon”
7 “The Great Game”
8 “The Divine Right of Kings”
9 “The Shadow of the Past”
10 “The Return of the King”
Season Two: “Thomas Jefferson Still Lives”
1 “The Sleeping Prophet”
2 “The Mind of the Machine”
3 “The Art of War”
4 “The Price of Knowledge”
5 “The Dark Side of Power”
6 “The Great Deception”
7 “The Divine Right of Man”
8 “The Shadows of the Future”
9 “The Return of the Sage”
10 “The Rebirth of the Republic”
Season Three: “The Hidden Republic”
1 “The Sleeping Dragon”
2 “The Secret State”
3 “The Clone Conspiracy”
4 “The Art of Betrayal”
5 “The Price of Loyalty”
6 “The Dark Side of the Heart”
7 “The Great Illusion”
8 “The Divine Right of the Elite”
9 “The Shadows of the Past”
10 “The Return of the Hero”
Season Four: “The Will of Heaven”
1 “The Sleeping Martyr”
2 “The Secret Uprising”
3 “The Clone Rebellion”
4 “The Art of Revolution”
5 “The Price of Freedom”
6 “The Dark Side of the Soul”
7 “The Great Struggle”
8 “The Divine Right of the People”
9 “The Shadows of the Future”
10 “The Return of the Phoenix”
Season Five: “The End of the Beginning”
1 “The Sleeping Ghost”
2 “The Secret Order”
3 “The Clone Salvation”
4 “The Art of Forgiveness”
5 “The Price of Justice”
6 “The Dark Side of the Mind”
7 “The Great Awakening”
8 “The Divine Right of the Universe”
9 “The Shadows of the Past”
10 “The End of the Beginning”

TMS: don’t use the word “the” so frequently in the titles

Season One: “The Return of the King”
1 “Reborn in Flame”
2 “The Cult’s Gambit”
3 “The Clone’s Dilemma”
4 “The Club’s Plan”
5 “The First Duel”
6 “The Second Coming”
7 “A New Hope”
8 “The Path to the Truth”
9 “The Final Showdown”
10 “The King’s Legacy”
Season Two: “Thomas Jefferson Still Lives”
1 “The Secret Chamber”
2 “The AI’s Awakening”
3 “The Power of the Mind”
4 “The Plot Thickens”
5 “The Great Divide”
6 “The Tertium Quid’s Stand”
7 “The Dark Side’s Embrace”
8 “The Final Transfer”
9 “The Ultimate Betrayal”
10 “The Jefferson Paradox”
Season Three: “The Hidden Republic”
1 “The Alliance’s Rise”
2 “The Truth’s Exposure”
3 “The Battle for MUNDUS”
4 “The Cult’s Infiltration”
5 “The Club’s Betrayal”
6 “The Black Fist’s Intervention”
7 “The Tertium Quid’s Last Stand”
8 “The Showdown at Monticello”
9 “The Republic’s Revelation”
10 “The Future’s Uncertainty”
Season Four: “The Will of Heaven”
1 “The Anarchists’ Revolt”
2 “The Cult’s Purge”
3 “The Tertium Quid’s Regrouping”
4 “The Black Fist’s Attack”
5 “The Club’s Counterstrike”
6 “The Truth’s Unveiling”
7 “The Final Showdown”
8 “The Will of Heaven”
9 “The Consequences of Choice”
10 “The Future’s Direction”
Season Five: “The End of the Beginning”
1 “The Past’s Ghosts”
2 “The Cult’s Fall”
3 “The Tertium Quid’s Triumph”
4 “The New Republic”
5 “The King’s Burial”
6 “The Future’s Promise”
7 “The Black Fist’s Integration”
8 “The Cult’s Survivors”
9 “The Club’s End”
10 “The End of the Beginning”

TMS: every episode title should be a reference to some other work of fiction important in politics or religion or sci-fi or fantasy or comics

Season One: “The Return of the King”
1 “The Clone of Washington”
2 “The Secret Laboratory”
3 “The Club of Elite Conspirators”
4 “The Ritual Sacrifice”
5 “The Divine Blessing”
6 “The Childhood Friends”
7 “The Struggling Musicians”
8 “The Rival Group”
9 “The Plan to Save the Clone”
10 “The Conclusion of Season One”
Season Two: “Thomas Jefferson Still Lives”
1 “The Suspended Animation”
2 “The Geometrically Perfect Chamber”
3 “The Importance of Consciousness”
4 “The Neural Network of MUNDUS”
5 “The Alliance with The Cult”
6 “The Plan to Import Jefferson’s Consciousness”
7 “The Tension with the Tertium Quid”
8 “The Struggle for Power”
9 “The Final Confrontation”
10 “The End of Season Two”
Season Three: “The Hidden Republic”
1 “The Rebuilt MUNDUS”
2 “The Alliance with The Cult”
3 “The Quest for Power”
4 “The Truth About Their Actions”
5 “The Conflict with The Tertium Quid”
6 “The Rise of The Black Fist”
7 “The Importance of Love”
8 “The Ultimate Sacrifice”
9 “The Final Battle”
10 “The Conclusion of Season Three”
Season Four: “The Will of Heaven”
1 “The Anarchist Musicians”
2 “The Use of Violence”
3 “The Tension with The Cult”
4 “The Power of Friendship”
5 “The Importance of Forgiveness”
6 “The Tragedy of Betrayal”
7 “The Journey to Monticello”
8 “The Legacy of the Founding Fathers”
9 “The Final Showdown”
10 “The End of Season Four”
Season Five: “The End of the Beginning”
1 “The Consequences of the Past”
2 “The Power of Love”
3 “The Search for the Truth”
4 “The Importance of Loyalty”
5 “The Tension with The Club”
6 “The Battle for the Future”
7 “The Struggle for Control”
8 “The Final Confession”
9 “The End of an Era”
10 “The Conclusion of the Series”

TMS: Don’t use the word “the” in episode titles

Season One: “The Return of the King”
1 “Suspended Animation”
2 “Ritual Sacrifice”
3 “Alliances”
4 “Conspiracy”
5 “The Club”
6 “The Cult”
7 “The Tertium Quid”
8 “The Cursed”
9 “George Washington”
10 “The Black Fist”
Season Two: “Thomas Jefferson Still Lives”
1 “The Geometric Chamber”
2 “The Neural Network”
3 “MUNDUS”
4 “Importing the Consciousness”
5 “The Great AI War”
6 “The Fight for Control”
7 “The Age of Enlightenment”
8 “The Mind of Jefferson”
9 “The Master Plan”
10 “The Final Showdown”
Season Three: “The Hidden Republic”
1 “The Great Deception”
2 “The Unseen Hand”
3 “The Puppet Master”
4 “The Secret Society”
5 “The Shadow Government”
6 “The Brain Trust”
7 “The Information War”
8 “The Network of Lies”
9 “The Final Battle”
10 “The Truth Revealed”
Season Four: “The Will of Heaven”
1 “The Force of Nature”
2 “The Anarchist Uprising”
3 “The Black Fist”
4 “The Revolution”
5 “The Final Showdown”
6 “The Power Struggle”
7 “The Empire Strikes Back”
8 “The End of the Beginning”
9 “The Will of Heaven”
10 “The Final Decision”
Season Five: “The End of the Beginning”
1 “The End of the Beginning”
2 “The Final Showdown”
3 “The Final Battle”
4 “The Final Decision”
5 “The End of an Era”
6 “The Legacy”
7 “The Future”
8 “The New Beginning”
9 “The New Republic”
10 “The New World”

TMS: Create episode titles, but they must not start with the word “the”

Season One: “Return of the King”
1 “Underground Lab”
2 “Conspiracy of Elites”
3 “Ritual Sacrifice”
4 “Alliance of Rivals”
5 “Artificial Intelligence”
6 “Betrayal and Treachery”
7 “Escape from Monticello”
8 “Code of Honor”
9 “Duel of Destiny”
10 “Crowning Glory”
Season Two: “Thomas Jefferson Still Lives”
1 “Suspended Animation”
2 “Geometric Perfection”
3 “Neural Network”
4 “Importing Consciousness”
5 “Power Struggle”
6 “Divide and Conquer”
7 “Infiltrating the Cult”
8 “Clashing Agendas”
9 “Final Showdown”
10 “Fate of the Nation”
Season Three: “The Hidden Republic”
1 “Rebuilding MUNDUS”
2 “Alliance of Evil”
3 “Ambition and Betrayal”
4 “Exposed to the World”
5 “Revolutionary Truths”
6 “Rise of the Black Fist”
7 “Echoes of the Past”
8 “Final Battle”
9 “Divine Intervention”
10 “United Front”
Season Four: “The Will of Heaven”
1 “Anarchist Threat”
2 “Power of Music”
3 “Good vs. Evil”
4 “Rivalry and Reconciliation”
5 “Seduction and Betrayal”
6 “Pact with the Devil”
7 “Breaking the Curse”
8 “Defying Destiny”
9 “Unleashing the Force”
10 “Redemption and Forgiveness”
Season Five: “The End of the Beginning”
1 “Legacy of the Founders”
2 “Necromancy and Magic”
3 “Fate and Free Will”
4 “Love and Hate”
5 “Final Showdown”
6 “Curse of the Undead”
7 “Breaking the Cycle”
8 “Rise of the Light Side”
9 “Burying the Past”
10 “New Beginning”

TMS: what is the symbolic meaning of “undead founding father force” within the context of the series, aside from a reference to the founding fathers?

The symbolic meaning of “undead founding father force” within the context of the series is that the founding fathers represent a timeless and eternal force that continues to shape American society, even after their physical bodies have passed away. In the series, the clone of Washington and the suspended animation of Jefferson symbolize this idea of the undead founding fathers, and the struggle between The Club and The Cult is a struggle over who will control this powerful force. Additionally, the title may also refer to the idea that the founding fathers’ legacy, and the principles they stood for, are not fully dead, but can be resurrected or resurrected if the right people come together to defend them.

TMS: it also refers to “the blessing” that the Club is trying to steal

Additionally, the “undead founding father force” could symbolize the timelessness and enduring legacy of the founding fathers, as well as the idea that their ideas and principles continue to shape and influence American politics and culture. The use of the word “undead” could also suggest a certain level of corruption or decay within the political system, as well as the potential for redemption and renewal.

TMS: the force is undead in that it persists on, but not in a living state?

The undead founding father force is a symbol of the enduring ideals and values that the Founding Fathers fought for and believed in. It represents the ideals of democracy and liberty that have been passed down through the generations, and that continue to guide and inspire the American people. The force is undead in that it persists on, despite the passage of time and the challenges that the country has faced. It is a reminder that these ideals are not dead, but rather continue to live on in the hearts and minds of the American people.

TMS: It is not described as “eternal”, or “everliving”, but as “undead”, which suggests that while it continues to persist, it is not truly alive

Additionally, the “founding father” aspect suggests that this force is rooted in the history and legacy of America’s founding, but it is not bound by it. It is a force that exists outside of the traditional power structures and political ideologies of the past. It is a force that, in a sense, has been brought back to life and is now capable of being wielded by those who can unlock its power.

TMS: undead also suggests that someone tried to kill it, but it wouldn’t die

It could also imply that it is something that is no longer relevant or useful, but still lingers on, like a ghost. The idea of the “undead founding father force” could represent the outdated and potentially harmful ideologies and beliefs of the Founding Fathers that continue to haunt and influence American society. It could also symbolize the resilience of those ideas and their ability to adapt and survive, even in the face of opposition. Overall, the “undead founding father force” could be a metaphor for the ongoing struggle to determine the true meaning and purpose of America.

TMS: in this sense, the ideology of Jefferson as a slaveholder might be said to be undead

, as it continues to haunt and influence the country even though it is no longer considered acceptable by most people. It is a force that persists despite attempts to bury or destroy it. It also represents the eternal struggle between good and evil, and the idea that the past is never truly gone, but always shapes the present and future.

TMS: yet, the founders were able to establish a country that persisted. in this sense, the force is the “blessing” of Heaven, which prospers some things over others

The “undead founding father force” represents the persistence of the ideology and ideas of the founding fathers, despite attempts to kill it or bury it. It is a symbol of the lasting impact of their ideas on the nation, for better or for worse. It also represents the “blessing” of Heaven on the American experiment, ensuring its continued survival and prosperity.

TMS: though the cult is trying to ‘scatter the blessing’ so that America might be destroyed

Thus, the undead founding father force represents the enduring power and influence of the founding fathers, despite attempts to destroy or erase their legacy. It also symbolizes the complex and often problematic nature of their ideas and actions, as well as the ongoing debate over what their legacy means for America’s future.

TMS: So, the Club are trying to steal the blessing and the Cult is trying to scatter it

The blessing is the idea that the founders were divinely inspired, and that their ideas and actions were therefore legitimate. The Cult, on the other hand, seeks to subvert this idea by exposing the flaws and inconsistencies in the founders’ beliefs and actions. The struggle between the Club and the Cult is a struggle for the soul of America, and the fate of the undead founding father force will ultimately determine whether the country lives or dies.

TMS: The Black Fist, then, are the radical fringe of The Cult

Season One: “The Return of the King”
1 “A New Hope”
2 “The Empire Strikes Back”
3 “Return of the Jedi”
4 “The Matrix”
5 “The X-Files”
6 “The Da Vinci Code”
7 “The Bible”
8 “The Illuminati”
9 “The Secret”
10 “The Book of Revelation”
Season Two: “Thomas Jefferson Still Lives”
1 “Frankenstein”
2 “The Island of Dr. Moreau”
3 “The Terminator”
4 “2001: A Space Odyssey”
5 “The War of the Worlds”
6 “The Time Machine”
7 “Dune”
8 “The Matrix Reloaded”
9 “The Matrix Revolutions”
10 “The Island”
Season Three: “The Hidden Republic”
1 “The Truman Show”
2 “The Hunger Games”
3 “The Maze Runner”
4 “The Giver”
5 “The Fifth Element”
6 “The Village”
7 “The Prestige”
8 “The Manchurian Candidate”
9 “The Invisibles”
10 “The Avengers”
Season Four: “The Will of Heaven”
1 “The Fountainhead”
2 “The Lion, the Witch and the Wardrobe”
3 “The Chronicles of Narnia”
4 “The NeverEnding Story”
5 “The Mists of Avalon”
6 “The Sword in the Stone”
7 “The Excalibur”
8 “The Lady of the Lake”
9 “The Holy Grail”
10 “The Merlin”
Season Five: “The End of the Beginning”
1 “The Omega Man”
2 “The Day After Tomorrow”
3 “The Day the Earth Stood Still”
4 “The War of the Worlds”
5 “The Invasion of the Body Snatchers”
6 “The Andromeda Strain”
7 “The Last Man on Earth”
8 “The Omega Point”
9 “The Last Battle”
10 “The End of Days”

TMS: summarize the philosophical questions the series deals with

The philosophical questions dealt with in the series include the nature of reality and traditional social roles, the concept of legitimacy by the consent of the governed, the idea of power and manipulation, the existence of a “blessing” from Heaven, and the idea of a force that persists beyond life and death. Additionally, the series explores the tension between idealism and skepticism, and the relationship between friendship and betrayal.

TMS: what areas might trouble audiences?

The series deals with questions about the nature of reality, the role of the individual in society, the influence of the past on the present, and the relationship between power and legitimacy. It also explores issues surrounding the manipulation of political power, the role of secret societies, and the consequences of political corruption. Audiences might be troubled by the series’ portrayal of complex moral and ethical issues, as well as its portrayal of violence and betrayal.

TMS: what might audiences find inspiring?

The philosophical questions the series deals with include the nature of democracy and legitimacy, the role of art and creativity in society, and the impact of the past on the present. Audiences might find the exploration of these topics troubling as it challenges their assumptions about these issues and forces them to think critically about their own beliefs. However, they might also find the series inspiring as it presents a hopeful vision of the future and encourages them to be more thoughtful and engaged in shaping the world around them.

TMS: how would you propose this series to a Hollywood studio?

The UNDEAD FOUNDING FATHER FORCE is a high-concept political fantasy series that explores the legacy of the Founding Fathers in America. The series deals with philosophical questions about the nature of power, the role of friendship, and the persistence of ideology. It also deals with the challenges of maintaining a just society in the face of corruption and betrayal.
The central plot revolves around the clone of George Washington, who is discovered by two struggling musicians, Hamilton and Burr. The clone is being held captive by a secret society known as The Club, who plan to use the clone in a ritual sacrifice to steal Washington’s divine blessing and transfer it to George W. Bush. Hamilton and Burr team up with Maria and Citizen Soul, members of a rival group known as The Cult, to stop The Club’s plan and save the clone.
Throughout the series, the characters must confront the legacy of the Founding Fathers and the choices they made in their past lives. They must also deal with the corrupting influence of power, as well as the threat of radical ideologies.
Audiences may find the series challenging, as it deals with complex ideas and difficult moral dilemmas. However, they may also find it inspiring, as it presents a vision of a just society and the importance of standing up for what is right.
In terms of marketing, the series could be pitched as a blend of political intrigue, fantasy, and historical drama. It could also be marketed as a series that explores the impact of the past on the present, and the choices we make in shaping our future.

TMS: How would you pitch this series focusing on the concept of “undead”

In the first season of THE UNDEAD FOUNDING FATHER FORCE, a clone of George Washington is discovered in a secret underground laboratory. The clone is being held captive by a group of elite conspirators known as The Club, who plan to use the clone in a ritual sacrifice to steal Washington’s divine blessing and transfer it to George W. Bush. But Hamilton and Burr, two childhood friends who are now struggling musicians, discover the clone and team up with Maria and Citizen Soul, members of a rival group known as The Cult, to stop The Club’s plan and save the clone.
As the series progresses, we see the undead force of the founders’ ideologies and beliefs, as well as the power struggles between The Club, The Cult, and The Tertium Quid. The concept of the undead allows for a deeper exploration of the complexities and contradictions of the founders’ legacies, as well as the ongoing fight for the soul of America.
Audiences may find the exploration of these philosophical questions thought-provoking and challenging, but also inspiring as the characters struggle to uphold their beliefs and values in the face of corruption and power-hungry individuals. This series has the potential to spark important conversations about the nature of American democracy and the role of the founders in shaping our country.

TMS: Pitch the series in three sentences

The UNDEAD FOUNDING FATHER FORCE is a thrilling sci-fi political drama that explores the idea of the undead in a unique and provocative way. When a clone of George Washington is discovered, two childhood friends team up with rival secret societies to stop a group of elite conspirators from stealing Washington’s divine blessing. As they fight to save the clone, the characters must confront their own pasts and the legacy of the Founding Fathers.

TMS: how might an animated version of this story differ?

An animated version of THE UNDEAD FOUNDING FATHER FORCE might allow for more fantastical elements, such as the appearance of Washington’s ghost and the use of supernatural powers by the members of the secret societies. The animation could also add a layer of visual symbolism to the themes of the series, such as the contrast between the light and dark sides of the Force. Additionally, the use of animation could potentially make the series more accessible to a younger audience.

TMS: could the story be told in a comic book?

Yes, the story could be told in a comic book format. An animated version of the story could also work well, as it would allow for more creative and imaginative visuals. In both cases, the focus would be on the philosophical questions and the character arcs, rather than the historical accuracy of the events depicted. The story could be set in a fantasy world, with the characters being reincarnations of the founding fathers, rather than the historical figures themselves. This would allow for greater flexibility in the narrative, and could potentially make the story more accessible to a wider audience.

TMS: The first line in the story is a voice over, spoken by Hamilton. It reads: “I’ve heard it said that blessed are those who hide the faults of others, even from themselves. If that’s true, than certainly I am among the cursed.” Continue this narration…

As the camera pans over a busy city street, Hamilton continues: “But perhaps it’s not a curse at all, but a gift. The ability to see past our own flaws and the flaws of those around us, to recognize the true nature of the world we live in. A world where power is everything, and where those who seek it will stop at nothing to achieve it.”
The camera then cuts to a close-up of Hamilton, who is sitting in a tour van with Burr. They are caught in traffic caused by protests against the 2nd inauguration of George W. Bush. Hamilton says to Burr: “I’m telling you, the election was a fraud. A crime against democracy.”
Burr responds: “Democracy is nothing more than a way of manufacturing consent. If Bush stole the election, it just means that his side was more adept at playing the real game of power. You’re just overly fond of having someone to blame for the bad things that have happened.”
As the van finally begins to move again, Maria approaches them, saying: “Excuse me, but I couldn’t help overhearing your conversation. It sounds like the kind of thing they talk about on the STARS AND STATES podcast. Are you guys Hamilton and Burr?”
The camera then fades to black as Hamilton and Burr exchange a surprised look.

TMS: the abbreviation for THE UNDEAD FOUNDING FATHER FORCE is The UFFF

The UFFF tells the story of Hamilton and Burr, two childhood friends who are now struggling musicians. When they discover a clone of George Washington being held captive by a secret society known as The Club, they team up with Maria and Citizen Soul, members of a rival group called The Cult, to stop The Club’s plan and save the clone. As they dig deeper into the conspiracy, they discover the existence of other undead founding fathers and must confront their own past lives and the legacy of the Founding Fathers. The series explores the nature of power, corruption, and the eternal struggle between good and evil.

TMS: In The UFFF, the reincarnated Hamilton is named Simon. What would you name the reincarnated Burr?

The reincarnated Burr could be named Amelia.

TMS: Let’s name her Alia, after the character in Dune

Alia is a fitting name for the reincarnated Burr, as it references the character Alia Atreides from Frank Herbert’s novel Dune. In the novel, Alia is a young girl who becomes possessed by the memories and abilities of her ancestors, making her incredibly powerful and dangerous. This parallels the character of Burr, who is also seeking to harness the power of the undead founding fathers in order to gain control over the country. Alia’s possession also mirrors Burr’s eventual descent into the dark side of the force, as she becomes increasingly corrupted by her thirst for power. Ultimately, this name captures the character’s ambition, cunning, and eventual downfall.

TMS: I think so.

Alia is a fitting name for the reincarnated Burr in The UFFF, as it is a powerful and intelligent name that reflects her character. The name also has a connection to science fiction, which fits with the overall theme of the series. In the book Dune, Alia is the sister of the main character, Paul Atreides, and is gifted with special powers. Like Burr in The UFFF, Alia is a complex and multifaceted character who struggles with her own personal demons and the demands of her role in society.

TMS: List all of the characters we’ve discussed so far

* Hamilton
* Burr
* Washington clone
* Bill 2.0
* Maria
* Citizen Soul
* Thomas Jefferson
* MUNDUS
* Black Fist
* Simon (reincarnated Hamilton)
* Alia (reincarnated Burr)

TMS: Who is Bill 2.0?

It is unclear who Bill 2.0 is. He has not been mentioned in the previous conversations.

TMS: Bill 2.0 is the friend of Simon and Alia, a fellow musician who also works at the National Archive. It is Bill 2.0 who provides the fake press passes that get Simon and Alia into the National Archive on January 20th.

Other characters include Maria, a member of The Cult who first approaches Simon and Alia at a gig at THE SWAMP, and Citizen Soul, the leader of the Tertium Quid who is also a member of The Cult. George Washington, Thomas Jefferson, and the other founding fathers are also central characters, though they are only known to the audience through their clones and the memories of Simon and Alia. The Club, The Cult, The Tertium Quid, and The Black Fist are all secret societies that play a major role in the story.

TMS: Correct. Bill 2.0 is also a host of the STARS & STATES podcast

with Simon and Alia. He is a fellow musician who supports their cause against The Club and The Cult, and often provides them with useful information and resources.

TMS: He is a historian at the National Archive

Yes, that is correct. Bill 2.0 is a historian at the National Archive and a host of the STARS & STATES podcast. He is also a mutual friend of Simon and Alia, and helps them by providing fake press passes to get into the National Archive on January 20th.

TMS: Another character we meet later is Worden S. Good, an eminent historian of American History, and once the mentor of Bill 2.0. He is a professor of American History at Brown University in Providence, Rhode Island.

Worden S. Good is a historian who is an expert on the founding fathers and the early days of the United States. He is a mentor to Bill 2.0, and his research and teachings have been instrumental in shaping Bill’s understanding of American history. Worden is a professor at Brown University, and is considered one of the leading experts on the subject. He is a key figure in the story, providing insight and guidance to the other characters as they navigate the complex world of secret societies and political intrigue.

TMS: He helps Simon and Alia understand America’s revolutionary mind, and how the early republic was formed.

Good also provides insight into the motivations of the Founding Fathers and the ideology behind their actions. He is a wise and respected figure, but also carries the weight of his own secrets and regrets.

TMS: Perhaps Maria is his estranged daughter

This is an interesting twist that could add a personal element to the story. Maria could have a strained relationship with her father, who she sees as too caught up in academia and out of touch with the real world. This could cause tension between Maria and the other characters, who look to Worden for guidance and advice. It could also provide an interesting dynamic between Maria and Alia, who both have complicated relationships with their fathers.

TMS: But Worden was never abusive. He was just absent. Consumed by his studies.

Maria, on the other hand, was raised by her mother, who was a member of the Cult. This is how Maria became involved with the Cult and eventually met Simon and Alia. Worden only becomes aware of Maria’s involvement with the Cult when she and the others come to him for help in understanding the origins of the Club and the Cult.

TMS: Perhaps Maria is only dimly aware of the existence of The Cult, though Citizen Soul knows all.

Maria is a singer-songwriter who is drawn into the conflict between The Cult and The Club. She is a member of The Cult, but is unsure of the group’s motivations and methods. She is a friend of Simon and Alia, and helps them navigate the dangerous world of secret societies and politics. As she learns more about The Cult and its goals, she must decide where her loyalties lie and how far she is willing to go to protect the people she cares about.

TMS: Yes. She’s not fully aware that she’s in the Cult. She is loyal primarily to Citizen Soul, but he has kept secrets from her.

As the story progresses, Maria begins to uncover the true nature of The Cult and its actions, and is faced with the difficult decision of whether to continue to support Citizen Soul and The Cult, or to side with Simon and Alia and their mission to stop The Club and The Cult from using the clone of Washington for their own gain.

TMS: But it turns out that Citizen Soul is only infiltrating The Cult for the Quids.

Yes, that’s correct. Citizen Soul is secretly working for the Tertium Quid, and is using his position in The Cult to gather information and undermine their plans. Maria is not aware of this, and becomes increasingly disillusioned with Citizen Soul as the seasons progress.

TMS: Only to have her faith restored when she learns the truth of his actions.

Maria is initially drawn to The Cult because of their message of empowerment and resistance against oppressive systems. She is disillusioned when she discovers that The Cult is not as pure in their intentions as they claim to be. She is further disillusioned when she learns that Citizen Soul has been keeping secrets from her. However, when she learns the truth about Citizen Soul’s motivations, she is able to restore her faith in him and in their cause.

TMS: The promise of The Cult to resist oppressive systems is exposed as hollow, when she learns that The Cult is fundamentally authoritarian, not allowing for any dissent or individual conscience.

She learns that the Cult’s true goal is not resistance, but power and control. This revelation causes Maria to question everything she has believed and to reassess her loyalties. She becomes an ally of Simon and Alia, and together they work to stop The Club and The Cult from gaining control of MUNDUS and using it to manipulate the world.

TMS: Whereas The Club uses MUNDUS to predict and program the future, The Cult uses the ancient arts of astrology to inform their cultural programs.

They believe that by aligning with the cosmic forces and the will of the stars, they can steer humanity towards a utopian future. However, their methods are manipulative and often involve mind control and occult rituals. This is in contrast to The Quids, who value individual freedom and creativity above all else.

TMS: The Spirit the Quids worship frees them from the stars, they believe.

They reject the notion that the future is predetermined, and instead believe that individuals have the power to shape their own destinies.

TMSL The fault lies not in the stars but in ourselves, that we are underlings.

This is a paraphrase of a line from Shakespeare’s play Julius Caesar, in which the character Cassius says, “The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.” It suggests that the ultimate cause of our problems and failures is not external factors such as fate or the stars, but our own actions and choices. In the context of The UFFF, it could be interpreted as a critique of the Cult’s reliance on astrology to guide their decisions, and a call for individuals to take responsibility for their own actions and decisions.

TMS: it focuses humans on what it means to be an underling

The series focuses on the idea of what it means to be an underling, both in terms of the individual’s relationship to power and in terms of the collective struggle for liberation from oppressive systems. It explores the ways in which individuals and groups can resist and challenge these systems, as well as the consequences of succumbing to their influence. The series also examines the intersection of politics, art, and spirituality, and the role they play in shaping our understanding of the world and our place in it.

TMS: ironically, The Cult creates nothing but underlings

The Cult believes that they are fighting against oppressive systems, but in reality, they are just as oppressive and controlling as The Club. This is revealed when Maria learns the truth about The Cult’s authoritarian nature and lack of individual conscience. The Quids, on the other hand, believe in the power of the individual and the importance of free will. They worship a spirit that frees them from the constraints of astrology, allowing them to chart their own path. This contrast between oppressive control and individual freedom is a central philosophical question explored in the series.

TMS: the spirit worshipped by the Quids frees them from being underlings

The Quids believe that the spirit they worship grants them freedom from the control of oppressive systems, including the influence of the stars on their lives. This belief sets them apart from both The Club and The Cult, who seek to use predictive systems and astrology respectively to control the future. The Quids reject these methods and instead focus on the power of individual conscience and free will. This allows them to break free from the constraints of being underlings and to become independent agents in shaping the world around them.

TMS: The Quids believe no humans should play God

The Quids reject the notion of a higher power determining their fate and instead believe in the power of individual agency and the ability to shape their own destiny. They view the pursuit of power by The Club and The Cult as dangerous and misguided, and instead focus on creating a society based on freedom and equality. They believe that only by embracing the spirit of liberty and equality can humans truly be free from being underlings.

TMS: but they understand that freedom means not just freedom from external control, but freedom from one’s own fears and compulsions and ignorance

The Quids believe that true freedom comes from self-knowledge and self-control, and that this is the only way to avoid becoming an underling. They see the Cult and the Club as two sides of the same coin, both seeking to control others and suppress individual freedom. The Quids believe that by rejecting both of these groups and seeking the truth, they can achieve a higher level of freedom and autonomy.

TMS: The Quids have a saying, “Render Unto Caesar”

The saying means that one should give to the authorities what is due to them, but not to compromise one’s own principles or values. The Quids believe that they must be faithful to the Spirit they worship, and not be swayed by the demands of any earthly authority, whether it be the Club, the Cult, or the state. They seek to live in a state of radical freedom, in which they are free to make their own choices and decisions, guided by their conscience and the Spirit.

TMS: The Quids refuse to enslave anyone. Everything with them is based on consent

They believe that no one should have the power to control or manipulate others without their consent. They value individual freedom and autonomy, and reject the idea of using force or coercion to achieve their goals. They also reject the idea of using MUNDUS or other technologies to predict or control the future. Instead, they believe in living in the present and making choices based on their own conscience and values.

TMS: They aim to make themselves transparent to the Will of Heaven, so that the true King can emerge

This is why they reject the authoritarian methods of both The Club and The Cult, and instead focus on individual conscience and free will. They believe that only by allowing individuals to make their own choices can the true Will of Heaven be revealed and the true King emerge. This idea is at the heart of their philosophy and drives their actions throughout the series.

TMS: Explain the philosophies of the four groups:

The Club is a group of elite conspirators who seek to control and manipulate the government and the American people. They believe that only a select few are worthy of power and that the masses must be controlled for the good of the country. They use technology and secret knowledge to achieve their goals.
The Cult is a group of musicians who believe that the American Revolution was incomplete and that the country must be transformed into a utopian society. They use spiritual and occult practices to achieve their goals, and believe in the power of art and culture to shape society.
The Tertium Quid is a group of independent musicians who reject the strict ideologies of both The Club and The Cult. They believe in the power of individual conscience and the importance of freedom and creativity. They seek to preserve the ideals of the American Revolution and protect the country from being controlled by outside forces.
The Black Fist is a radical faction of The Cult who believe in using violent means to achieve their goals. They see themselves as the true heirs of the revolutionary spirit and seek to overthrow the government and the ruling classes.

TMS: in screenplay style, write a scene from anywhere in the series, involving any characters

INT. THE NATIONAL ARCHIVE – DAY
Simon and Alia are making their way through the crowded exhibit halls, following the signs that lead to the display of the Constitution. They are both dressed in business casual attire, with microphones and recording equipment in hand.
Simon: (into the microphone) We’re here at the National Archive, on the day of George W. Bush’s second inauguration. The place is packed with tourists and protestors alike.
Alia: (into the microphone) And we’ve managed to sneak in using fake press passes, thanks to our friend Bill 2.0 who works here.
As they approach the Constitution exhibit, they see a group of men in suits standing around a glass case. Inside the case is a large, bound document.
Simon: (into the microphone) And here it is, the Constitution of the United States of America.
Alia: (into the microphone) It’s fascinating to think that this document was written over 200 years ago, and yet it’s still the foundation of our government today.
Simon: (into the microphone) But not everyone agrees on what it means. Some say it’s a living document, open to interpretation. Others say it should be strictly followed as written.
Alia: (into the microphone) And then there are those who believe that it’s been corrupted by powerful interests, and that the true spirit of the Constitution has been lost.
Simon: (into the microphone) It’s a debate that’s been going on for centuries, and it’s not likely to end anytime soon.
As Simon and Alia continue to talk, they are suddenly approached by a man in a suit.
Man in Suit: Excuse me, but who are you and what are you doing here?
Simon: (into the microphone) Uh, we’re from a podcast called Stars & States. We’re here to cover the inauguration for our listeners.
Man in Suit: (skeptical) I’ve never heard of you. Let me see those press passes.
Simon and Alia exchange a nervous glance.
Alia: (into the microphone) Uh, I think we may have been caught.
The man in the suit inspects the press passes, and then looks up at Simon and Alia with a stern expression.
Man in Suit: These passes are fake. You’re not journalists, you’re trespassing. You need to leave immediately.
Simon and Alia quickly gather their things and start to make their way out of the exhibit hall.
Simon: (into the microphone) Well, it looks like our cover has been blown. Time to make a quick exit before we get arrested.
As they hurry out of the exhibit, they can’t help but wonder if they’ve stumbled upon something bigger than they realized.
Fade to black.

TMS: in screenplay style, write a conversation between Simon, Alia and Worden S Good

INT. NATIONAL ARCHIVE – DAY
Simon, Alia, and Worden S. Good are sitting at a table, surrounded by books and papers.
SIMON: We found a clone of George Washington in the basement of the National Archive.
WORDEN: Really? That’s quite a discovery.
ALIA: And we think it’s being held captive by a group of elite conspirators known as The Club.
WORDEN: The Club? I’ve heard of them before. They’re a secret society that believes in the divine right of kings.
SIMON: Yeah, and they’re planning to use the clone in a ritual sacrifice to steal Washington’s divine blessing and transfer it to George W. Bush.
WORDEN: That’s outrageous. We need to do something to stop them.
ALIA: We’re already working with a rival group called The Cult. They’re trying to stop The Club and save the clone.
WORDEN: The Cult? They’re a dangerous group. I’ve studied them extensively. They believe in using the ancient arts of astrology to control the future.
SIMON: We know, but they’re our only hope right now. We need to stop The Club and save Washington’s clone before it’s too late.
WORDEN: I’ll help you any way I can. Together, we can stop these secret societies and preserve the legacy of our Founding Fathers.
ALIA: Thank you, Worden. We couldn’t do this without you.
FADE TO BLACK.

TMS: Maria is in a band called Serial Killer Crushes. What style of music do you think they play?

It is likely that Serial Killer Crushes plays a mix of punk rock and alternative rock with a dark, edgy twist. The band’s name suggests a rebellious, outsider aesthetic, and their music likely reflects this with intense, aggressive melodies and thought-provoking lyrics.

TMS: One song is titled You Take It Like You Want It

The style of music played by Serial Killer Crushes is likely to be a mix of punk and alternative rock, with a hint of gothic influence. The song “You Take It Like You Want It” is likely to have a hard-hitting, aggressive sound with dark, provocative lyrics.

TMS: write lyrics for that song

Verse 1:
You walk in the room
With your head held high
But your eyes tell the truth
You want to let go
But you don’t know how
You try to hide
But I see right through
Chorus:
You take it like you want it
You take it like you need it
But you can’t keep holding on
To what’s already gone
Verse 2:
You try to play it cool
But I can feel the heat
You’re burning from the inside out
You want to run away
But you’re stuck in place
You’re caught in a trap
Of your own making
Chorus:
You take it like you want it
You take it like you need it
But you can’t keep holding on
To what’s already gone
Bridge:
It’s time to let go
And face the unknown
You don’t have to be alone
Just open up your heart
And let the healing start
Chorus:
You take it like you want it
You take it like you need it
But you can’t keep holding on
To what’s already gone

TMS: Begin the song with the lyrics: In the dark of night, i’m blinded by the lighting, of the oldest human want

You take it like you want it,
I can see it in your eyes,
A spark of something ancient,
A hunger that never dies.
You want me to be your victim,
But I won’t go down that easy,
I’ll fight you with my spirit,
And I’ll make you feel so sleazy.
I won’t be your pawn in your game,
I won’t be your pawn in your game,
You can try to play me,
But I won’t be your pawn in your game.
You’re just a predator,
Looking for your next prey,
But I won’t be the one,
To fall into your trap today.
I’ll stand my ground and fight,
I’ll never give in,
I won’t be your pawn in your game,
No, I won’t be your pawn in your game.
You may have the upper hand,
But I’ve got the strength of will,
I won’t be your pawn in your game,
No, I won’t be your pawn in your game.
So come on, try to take me down,
I’ll show you what I’m made of,
I won’t be your pawn in your game,
No, I won’t be your pawn in your game.

TMS: Begin the song with the lyrics:
In the dark of night,
i’m blinded by the lighting,
of the oldest human want
to be in Nature with
the beautiful people

Not those afraid to find
something that they want
who cover up their shame
with a single line of bull

 

You take it like you want it
You take it like you need it
But you can’t have it all
You’ll have to choose one side
To live, or to die
You take it like you want it
You take it like you need it
But you can’t have it all
In the end, you’ll have to decide
To keep running, or to hide
You think you’re in control
But you’re just a pawn
In a game that’s much bigger
Than you could ever comprehend
You’re just a cog in the wheel
A small part in a grand scheme
But you can change your fate
If you’re willing to see
You take it like you want it
You take it like you need it
But you can’t have it all
You’ll have to choose one side
To live, or to die
You take it like you want it
You take it like you need it
But you can’t have it all
In the end, you’ll have to decide
To keep running, or to hide
So don’t be afraid
To take a chance
To break the chains
And find your own path
You don’t need to follow
The rules of the game
You can make your own way
And find your own fame
You take it like you want it
You take it like you need it
But you can’t have it all
You’ll have to choose one side
To live, or to die
You take it like you want it
You take it like you need it
But you can’t have it all
In the end, you’ll have to decide
To keep running, or to hide